Book List | Rocky Mountain Smiths

In this book we introduce sixteen blacksmiths; each of whom has a special and distinct style. Some are young men; others experienced artisans. Most of their workshops are small; some men intentionally work on their own; so that literally everything is under their control. Featured blacksmiths: Manfred + German Bergmeister; Terrence Clark; Alan Evans; Christoph Friedrich; Dimitri Gerakaris; Hermann Gradinger; James Horrobin; Takayoshi Komine; Serge Marchal; Paul Nagel; Albert Paley; Antony Robinson; Paul Zimmermann. German and English.

Architectural ironwork - History; Ironwork - History; Wrought-iron - History

Publisher J. Hoffmann. 1987. 143 pages

Filled cover to cover with black and white photographs of German ironwork. The emphasis is on architectural and sculptural ironwork. All text (what little there is - mostly photos) is in German.

Architectural ironwork; Blacksmithing - pictorial/inspirational

Publisher Charles Coleman Verlag. 1987.

In The Blacksmith (Der Kunstschmied); Otto Schmirler provides an account of work done by a master craftsman and his assistants. His purpose for this book; first published in 1977; was to re-awaken the interest in; and understanding for; the art of wrought ironwork. This book marks the beginning of Schmirler's guiding principle: to pass on what has been learned and proven; for the very essence of our craft is the handing down of experience from generation to generation. What Schmirler passes on in this book are over 750 of his drawings and photos of his work. The drawings show the master craftsman at the creative phase; and the photos document the final work of art. All text in German

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork

Publisher Wasmuth. 1976. 224 pages

From a review by Crouchet at Amazon.com: This is an excellent reference for the working blacksmith. Francis Whitaker was the grand old man of modern American blacksmithing. In this book; he has included his own formulas and techniques for the common problems involved in forging ornamental ironwork. Francis thoroughly discusses forges and forge equipment; tools for the smithy; and basic blacksmithing operations and how they are best performed. All this is filtered through his many decades of hand-on experience at the highest levels of blacksmithing. I especially enjoyed this book because Francis was an opinionated; crusty old blacksmith and his persistent; forceful personality shines through in living color!

Beginning metalworking; Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jim Fleming Publications. 1986. 153 pages

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Looking for instructions in bladesmithing that'll put you on the cutting edge of the custom blade market? Then this definitive guide to forging world-class blades is for you. Written by a master bladesmith; this book tells you how to set up your forge; select your materials; fashion grips and hilts; grind edges and much more! Jim Hrisoulas is a master bladesmith specializing in medieval broadswords and daggers and Damascus pattern welding. He has almost 30 years of experience at the forge.

Blacksmithing; Knives

Publisher Paladin Press. 1987. 192 pages

A stunning volume; filled with color photographs of the finest damascus steel knives and swords the world has ever seen. This book covers the historical; technical; and artistic aspects of both Oriental (wootz) and Mechanical (pattern-welded) damascus; and illustrates with examples of many extraordinary Persian and Indian edged weapons; as well as some incredible gun barrels. A must-have book for both collectors and makers of historical and modern edged weapons.

Damascus; Knife making

Publisher Leo Figiel. 1991. 145 pages

Cover to cover black and white photos of German ironwork. All text in German. The ironwork looks like it is mostly from the 1970s. There is a large section in the back of the book dealing with the laying out of stair railing; but the text is all in German.

Architectural ironwork; Art metal-work; Blacksmithing - pictorial/inspirational

Publisher Hoffmann. 1977. 152 pages

Decorative Ironwork is intended for the blacksmith who has mastered basic techniques and is ready to specialize and design his own work. This work presents discussions of seven grilles; each incorporating a different repeating design. By studying the designs and techniques used in their construction; the craftsman will gain a broader understanding of design and of certain advanced methodologies. Discussed for each grille are notable features of its design; suggestions for adaptation and experimentation; and how the design fits into the history of decorative ironwork. The step-by-step creation of the piece is then explained in detail through sequential photographs and accompanying text. COSIRA; the Council for Small Industries in Rural Areas; provides training for craft workshops in the United Kingdom.

Architectural ironwork - History; Ironwork - History; Wrought-iron - History

Publisher MacMillan Publishing Company. 1987. 79 pages

An excellent handbook for the very beginning blacksmith through the intermediate. Easy to understand text and well illustrated. Many tables and charts. With a portfolio of photographs of Sam Yellin's work.

Beginning metalworking; Blacksmithing; Blacksmithing training and techniques

Publisher SkipJack Press. 1991. 210 pages

Weathervanes tend to play an unintrusive part in our lives; sometimes being taken for granted. English Weathervanes draws attention to their history; construction use and design. This book is compiled as an introduction to weathervanes but is equally of interest to those with a passionate curiosity for the subject. The drawings have been made from weathervanes seen in several counties and; although the total area of the country covered in the search for examples was comparatively small; more than 300 (237 are included in this book) were discovered; which indicates how numerous and varied in design they are on our town and country buildings. Many weathervanes have similar subjects for their designs; but it is interesting to note how they vary in treatment so that rarely are two exactly alike to be found. If this book succeeds in influencing members of the public to appreciate these examples of craftsmanship; and persuades those who have good weathervanes on their buildings to preserve them in these days when the use of machines and mass-production methods tend to limit the output of good hand-wrought work; it will serve a useful purpose.

Blacksmithing - History; European metalwork

Publisher Charles Clark Limited. 1953. 102 pages

Cover to cover black and white photos of contemporary (1970) German ironwork; primarily gates. All text in German.

Architectural ironwork; European metalwork

Publisher Charles Coleman. 1970. 100 pages

This book considers the heritage of the blacksmith-created iron grave crosses which originally were prevalent in the Black Sea area of southern Russia. Catholic immigrants brought the concept with them when they came to North Dakota during the early years of our history. The voices contained in this volume are the voices of those early immigrants and their descendants. More than that; they are voices to which all of us can relate. They speak of a deep and meaningful part of their owners' personal; community; ethnic and religious lives. They speak also to the spirit of North Dakota itself.

Blacksmiths; Cemeteries; Crosses; Folk art; Russian Germans

Publisher North Dakota Council on the. 1982. 116 pages

Entirely in German. Filled with black and white photos and drawings. It looks like some blacksmithing techniques are explained in both German text and illustrations.

Blacksmithing; Blacksmithing - pictorial/inspirational; Blacksmithing projects

Publisher . 204 pages

Cover to cover detailed illustrations of German ironwork over many centuries. All captions in German. Emphasis on hardware; latches; keys; and smaller detailed work.

Blacksmithing - History; Blacksmithing - pictorial/inspirational; European metalwork

Publisher Wasmuth Ernst Verlag. 1984. 124 pages

This book is about rebuilding the Little Giant hammer and learning about the company that built them; but many of the methods are directly applicable to other hammers. This book can be read for information; entertainment or as a manual to rebuilding. If you choose the latter course; then it is assumed that you have access to at least some of the tools described and have acquired the necessary welding or machining skills - or know a friend with them.

Two copies are in the collection.

Power hammers; Tool making and equipment building

Publisher H&K Pub. 1992. 300 pages

This advanced study of steel reveals forging secrets that for centuries have been protected by guilds. Never-before-seen instructions; diagrams and photos explain the tricks behind using Japanese mokume gane; differential heat treating; power hammers; and other techniques to make kukris; wavy blades; spears and swords that bear the master’s mark.

Blacksmithing; Knives

Publisher Paladin Press. 1991. 296 pages

In this book we investigate contemporary forms and their development; since we believe that every epoch should seek relevant expressions of itself. There are; of course; plenty of examples which demonstrate that pieces of work created unequivocally in the spirit of our own age may be admirable combined with older buildings of quality. We need not shy away from comparisons with the past. Filled cover to cover with black and white photos of architectural metalwork. Captions in both English and German.

Architectural ironwork - History; Blacksmithing - pictorial/inspirational; Ironwork - History; Wrought-iron - History

Publisher J. Hoffmann. 1986. 159 pages

Samuel Yellin Metalworker is a photographic essay and documentation about the master artist-blacksmith Samuel Yellin – representing the culmination of 19th-century wrought iron design and fabrication. This book is the only attempt to record carefully the evolution of this artistic giant. In Philadelphia; from 1909 to1940; Yellin created wrought iron work for major clients and architects throughout the US. There are the historic photos of Yellin and those who worked in this famous shop – 286 craftsmen in 1928. Better are the many pages of his wrought iron; each piece speaking volumes. There are gates; railings; keys; locks; fireplace sets; lighting devices; and whimsical creatures. The scale of this work is sometimes overwhelming. There is a complete list of Yellin’s works recorded on job cards – these cards will help researchers in locating samples of this incredible work. Samuel Yellin’s masterpieces remain an important subject to examine; not only for blacksmiths but also for artists; architects; interior designers; historians; and anyone who works with or enjoys metalwork.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher SkipJack Press. 1992. 116 pages

The intent of this study is to show the nature and scope of the Hispanic blacksmithing craft and describe the kinds of ironware used in what is today the southwestern United States. Colonial smiths were more common in the Southwest and their work more sophisticated than has generally been recognized by scholars. They forged all manner of domestic utensils and hardware and served as gunsmiths; armorers; and farriers. The book is divided into two parts. Part I is a historical narrative tracing the story of smithcraft from Spain; through Mexico; to the American Southwest. The Spanish blacksmithing tradition; it becomes apparent; was distinct from that transferred by England to her own New World colonies. Part II looks at the colonial smith; his equipment; his methods; and the products of his forge. Information on these subjects has been taken from documents - particularly wills of blacksmiths; supply lists of expeditions; and inventories of mission workshops.

Includes index.

Blacksmithing - History; Ironwork - History

Publisher Museum of New Mexico Pr. 1980. 199 pages

Black and white photo plates of German ironwork with German captions

Architectural ironwork; Blacksmithing - pictorial/inspirational

Publisher . 1980. 102 pages

120 pages with 191 illustrations. This book deals with wrought iron as a means of artistic expression in the hands of a craftsman. The excellent photographs of decorative wrought ironwork; while providing the expert with a synopsis of what can be achieved in this medium; will also give pleasure to everyone who appreciates fine craftsmanship. The author examines briefly the materials and techniques of forging. He lays particular stress on the fact that the basic principle for the craftsman working in this medium is the consideration of design. From his own practical experience he has come to recognize the importance of collaboration between architect and craftsman. The one possesses the knowledge of materials while the other is able to match the artistic work to the architecture. Deriving from the direct experience of a craftsman; the book surveys the many varied uses to which wrought iron can be put. It contains descriptions and illustrations of wrought-iron grilles; gates; banisters; balustrades and screens. Both their uses in general and details of special interest are presented. It is at once an instructive and a beautiful book; in which art and manual craft are united in most happy fashion.

Blacksmithing; Blacksmithing - pictorial/inspirational; Blacksmithing training and techniques

Publisher HARRAP. 1982. 120 pages

A collection of wrought iron designs by Otto Schmirler. Includes 765 sketches; scale drawings; and photographs. Some of the designs are for fireside appliances; chandeliers and lamps; clocks; and mountings.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Larson Publishing Company. 1986. 168 pages

The first part of the book describes the making of the most common decorative features such as scrolls; water leaves; wavy bars and twists. The difficult acanthus leaves and embossed work are not included in the present volume. Part 2 describes step by step the making and assembly of a gate; which includes the same techniques as are used in all traditional decorative ironwork such as grilles; brackets and hearth furniture. The final chapter discusses the problems of painting and rust proofing. A knowledge of basic smithing techniques has been assumed throughout; and only those tools peculiar to decorative ironwork are mentioned.

Architectural ironwork - History; Ironwork - History; Wrought-iron - History

Publisher . 97 pages

Filled with absorbing information and illustrated throughout; this history-plus-craft book describes the tools and technique of the blacksmith; paying tribute to the skill and ingenuity of this versatile nineteenth-century American craftsman. The blacksmith's roles as hardware maker; farrier; and village handy-man are vividly portrayed in the lively text and exceptional illustrations. Methods for fullering; upsetting; and welding wrought iron are clearly explained; as well as the construction of latches; ice tongs; chains; and a wealth of iron fittings.

Aldren A. Watson's chapters include Wrought Iron: Its Properties and Manufacture; The Blacksmith Shop and Forge Fire; Working at the Forge; Hardware and Harness; Shoeing a Horse; Wagons; Buggies; and Sleds; and The Blacksmith in His World. For those who would like a forge and bellows of their own; Watson offers suggestions for laying out a blacksmith shop and constructing a leather bellows and forge.

Here is an important record and a valuable source for all who are interested in this part of American industry.

Reprint. Originally published: The village blacksmith. New; expanded ed. New York : Crowell; c1977.

Blacksmithing

Publisher W W Norton & Co Inc. 1990. 171 pages

This book was written in 1943 to meet the needs of farmers needing to know how to forge. The author; who; during a long term of years; had the pleasure of teaching the elements of forge work to several thousand Minnesota farm boys; hoped that this little book would be of help to those farmers and farmers' sons who wish to; or through force of circumstances are obliged to; do the work which formerly fell to the lot of the village blacksmith. This reprint of the original book contains basic information and simple projects geared toward the needs of the farmer. It contains detailed text and very good drawings.

Beginning metalworking; Blacksmithing

Publisher Webb Book Publishing Company. 1943. 55 pages

This book is a tribute to the men and women who made and decorated utilitarian tinwares on both sides of the Atlantic Ocean. Shirley DeVoe has gathered a rich history of the manufacturing processes and methods of decoration. Her examples demonstrate the variety of wares and details which help identify English and American products. The author; herself an artist; relates her appreciation of the talents of the decorators through their personal stories. There were many families of tinsmiths whose work is presented through several generations. Many black and white photos.

Tinware - History

Publisher . 1981. 222 pages

A fascinating account of the Conestoga Wagon regarding its origins; where and how it was used; and a general introduction into the construction techniques that endowed the Conestoga with its dependable qualities.

Wagons - Wheels

Publisher Forry and Hacker; Lancaster; Pa. 1975. 50 pages

From a review at http://www.psupress.org/ Examines the work and world of rural blacksmiths: wheelwrights; lock; gun; and spoonsmiths; cutlers; farriers; white smiths and general smiths; edgetoolmakers and mechanics. It covers the two hundred year evolution of the smithies' shops and presents a portfolio of products of the general smith and the prices charged. Pennsylvania ironware is described through the materials and methods of handling; form and design elements. Biographies and work of over 40 documented Pennsylvania smiths are included as well as a list of contemporary blacksmiths in the state. -------------------------------------------------------------------------------- Jeannette Lasansky is a lecturer and a research associate at Bucknell University. She is also director of the Union County Oral Traditions Projects and recipient of ten grants for research; publication; and multimedia shows. She is a graduate of Harpur College and the University of Iowa.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Pennsylvania State Univ Pr. 1980. 84 pages

It is said that necessity is the mother of invention and if that is so; then desperation certainly fathered this reprint of the 1909 hardware catalogue from the George Worthington Company of Cleveland; Ohio. While struggling recently to identify bits and pieces of wagon hardware recovered from the archaeological investigations of several historic sites; it became painfully apparent that there were not adequate references on this subject currently available. Old hardware catalogues from the horse and wagon era are very scarce and unfortunately; those "old timers" with first-hand wagon and blacksmith experience are not always readily accessible to the researcher. This endeavor is aimed at filling a need that exists within admittedly limited spheres of research; chiefly for the identification of archaeological or museum specimens; and secondly; to e utilized by those involved in wagon restorations or blacksmith activities.

Wagons - Wheels

Publisher Museum of the Great Plains. 1979. 202 pages

In this book; Robert Raymond follows the fascinating route from the earliest known metal smelting site; in the arid Sinai Desert or Israel; to the flood-plain of the Yellow River in China; to discover the secrets of the exquisite Shang bronzes; and to reveal newly-discovered iron-casting techniques which were 1500 years ahead of the West; to the stronghold of the Hittites in Anatolia; where the Iron Age may be said to have begun; to villages in India where metal-working techniques have hardly changed in 5000 years; to the misty peaks of the Andes in Peru; in the steps of the conquistadors' savage treasure-hunt for gold; to the gaunt ruins of the Industrial Revolution in England; to the world of mechanical robots in Japan; and to the desert sands of Alamagordo in the United States; where the unstable metal uranium was made to produce the world's first atomic explosion. Metals played a vital role in the rise and fall of empires; and the broad historical shifts of power and influence from one part of the word to another. Metals were a critical factor in all of mankind's most significant advances: the introduction of coinage; the invention of printing; the harnessing of steam; the discovery of electricity; the achievement of flight. And a small but critical group of radio-active metals; which are both consumed and created in that last and most fiery furnace; now present us with a deadly dilemma and an awesome choice. This is the story of man the metalsmith; through all his amazing creations; from the most sublime works of art to the most devastating of weapons; and of his raw materials; the metals which run like shining threads through the whole tapestry of human history.

Civilization - History; Metallurgy - History; Technology and civilization

Publisher Pennsylvania State University Press. 2000. 274 pages

Outlines the basic techniques of lost-wax casting and describes the equipment needed to carry out the process successfully. Explains how the equipment can be made; using local labor and natural resources readily available in developing countries.

Casting

Publisher Practical Action. 1983. 96 pages

Learn how with "the bible of knife-making". Barney and Loveless give complete instructions on making high quality handmade knives. Forging and stock removal; mirror polishing; sheath making; safety techniques; required tools and supplies and more.

Knife making; Knives

Publisher Krause Publications. 1994. 182 pages

Originally published in 1908. From the preface: In this book the subject of Copper Work; as it may be introduced into the public schools; is treated to the extent of specifying an equipment and suggesting some of the possibilities of a course. Not only will there be found an abundance of illustrative material on this subject; consisting of drawings and photographs of various objects executed by upper grammar and high school pupils; but also a detailed description of the processes necessary for the execution of many of the designs. It is not expected that the problems as given will be slavishly copied; but rather that they will make clear the methods and processes that may be applied in the working out of similar problems. It is hoped that this volume will be especially helpful to teachers in the Manual Arts who are trying to introduce Metal Work into the regular school course.

Copper working

Publisher Lindsay Publications. 1989. 123 pages

Here for the first time is a single book that encompasses the entire art of decorative metal work; offering an exhaustive; illustrative guide for the interested layman; the amateur; and the master craftsman. In clear; analytic prose; accompanied by 667 photographs and 102 linecuts; Metal Techniques for Craftsmen gives a step-by-step account of precisely how to form or embellish almost any kind of metal object. These are some of the subjects the book details: - The Behavior of Metals and Their Physical Properties - The Precious Metals: God; Silver; and Their Alloys - The Base Metals: Copper; Bronze; Aluminum; Zinc; and Others -The Ferrous Metals: Iron and Steel -The Texture of Metal Surfaces - Punchwork Decoration - Repousse' and Chasing - Engraving - Etching - Appliqué - Indian Decorative Techniques: Swami; Bidri; Kuftgari - Damascene - Inlay - Hard and Soft Solders - Niello - Combining Metals with Nonmetallic Materials - Silversmithing - Pewter - Forging and Welding - Cold Metal Spinning - Lost-Wax amd Ptjer Castomg {rpcesses - Polishing - Coloring

Blacksmithing training and techniques; Metal working; Metal-work

Publisher Doubleday. 1975. 509 pages

This revised and expanded edition of the classic text on marketing crafts is packed with priceless information that will show you what it takes to be a success: pointers on setting up your business; strategies for selling at fairs; galleries; and trade shows; approaches to competitive pricing; tips on show preparation; exhibiting; and what buyers want; new information on using computers for bookkeeping.

Fairs - Handbooks; manuals; Handicraft - Marketing; Selling - Handicraft

Publisher Stackpole Books. 1990. 154 pages

The author believes that this text book should be used to explain principles and give examples; not to give minute explicit directions for making a set of exercises. The exercises are such as have been found useful in the shop; and an effort has also been made to give drawings of such tools as are ordinarily used in the forge and machine shops. Topics include: General Description of Forge and Tools Welding Calculation of Stock for Bent Shapes Upsetting; Drawing Out; and Bending Simple Forged Work Steam-Hammer Work Duplicate Work Metallurgy of Iron and Steel Tool Steel Work Tool Forging and Tempering

Beginning metalworking

Publisher Lindsay Pubns. 1986. 279 pages

Provides instruction and information on the basic principles of metallurgy. Emphasizes the practical aspects of metallurgy. Explores the behavior of metals subjected to metallurgical processes and explains why certain material properties are desired and how these properties are attained. DLC: Iron--Metallurgy.

Includes index.

Iron - Metallurgy; Steel - Metallurgy

Publisher Goodheart-Willcox Pub. 1992. 256 pages

This is a reprint of Buffalo Forge Company's 1916 equipment catalogue.

Tools - Catalogs

Publisher Jim Fleming Publications. 50 pages

The catalogue illustrates a vast variety of ironwork; from door furniture through plant stands; weather vanes and sundials to balustrades and railings. The book will be a great source of inspiration to anyone either skilled or new to the craft of ironwork. Profusely illustrated with black and white line drawings.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher CoSIRA. 1973. 185 pages

This new edition of wrought ironwork designs for gates reflects over 60 years of craftsmanship. It should prove invaluable as a reference and working tool to all those involved in forgework - or interested in the history of blacksmithing. This catalogue illustrates what is believed to be a unique collection of working drawings. The work is by designer craftsmen associated with the Rural Industries Bureau from the 1930s through to 1968; the Council for Small Industries in Rural Areas (CoSIRA) from 1968 to 1988; and the present Rural Development Commission.

Architectural ironwork; Design; Gate Design; Ironwork

Publisher Countryside Agency. 1992. 96 pages

Metallurgy is a highly specialised subject; introduction to which is confined to fearsome looking volumes full of technical data shrouded in the mystique of the professional; so making them intelligible only to the professional. It is hoped that this book; which has been compiled for the guidance of the small users; will disperse some of the mystery that has in the past been responsible for 'blinding them with science'; and whet their appetites for a greater understanding of the structure and properties of those materials that they are so adept at shaping; whether it be on the hearth or on a machine; but from which; and by their skill; they earn their daily bread; and contribute to the needs of the nation.

Metallurgy

Publisher Countryside Agency. 1979. 82 pages

Reprint of the original 1909 printing of this catalog; in comb binding. Large black and white illustrations of forge equipment. Reprinted by Centaur Forge Ltd.; Blacksmith & Horseshoers' Supplies in Burlington; WI.

Tools - Catalogs; Tools - history

Publisher Centaur Forge Ltd. 1909. 36 pages

The Blacksmith's Craft is the product of various technical officers at the Rural Development Commission and meets the need of those who require a sound knowledge of the behaviour of iron and steel. The feature of this text book is the step-by-step photographs which illustrate the text both in regard to the tools required by the smith; and the methods involved in shaping; hardening; tempering and cutting; to meet the requirements of the art. To all who shape metals; for whatever purpose; this book is recommended.

Blacksmithing projects; Blacksmithing training and techniques

Publisher Rural Development Commission. 1990. 104 pages

This book illustrates the history of European decorative ironwork from Roman times to the 19th century. Over 4;500 outstanding examples of antique ironwork are illustrated on 415 plates. Among them are grilles; locks and padlocks; escutcheons; doorknobs; hinges and mountings; signs and brackets; jewelry; toilet accessories; key rings; handbag frames; liturgical objects and much; much more.

Ironwork - Pictorial works; Ironwork designs; Iron-works - History; Locksmithing and hardware forging

Publisher Dover Publications. 2009. 420 pages

In exploring the history of Chicago it is relatively easy to notice certain aspects of the city's development. Its architectural heritage still punctuates the skyline; its tradition of city planning reveals itself along the lakefront and in its park system; the diversity of its population declares itself on almost every street; and its institutions are well memorialized by buildings and other monuments. But other important threads in the fabric of Chicago's past are less easily found or noticed. A good example is the subject of this book; Chicago Metalsmiths; which grew directly out of the research interests of Sharon Darling; the Chicago Historical Society's curator of decorative arts. She first became interested in the metalsmiths through examples of their work in our collections and before long undertook this major study of a neglected area of Chicago history. This publication and the exhibition which it accompanies are the result of that research. In addition to offering previously unavailable information; this study approaches the decorative arts from the perspective of the historian who must look beyond the aesthetic qualities of artifacts to their cultural significance. In working with the objects displayed in this exhibition Ms. Darling has sought to understand how they reflect the fundamental attitudes and values both of their makers and their users. The originality of design and the quality of craftsmanship that distinguish many of these objects are testimony to the artistic talent and skill of their makers.

Includes index.

Art metal-work - History; Art metal-workers

Publisher Chicago Historical Society. 1977. 158 pages

Robert Bakewell was baptised at the Parish Church of St. Mary; Uttoxeter; Staffordshire; on March 5th; 1682; the son of Sampson Bakewell and his wife Mary (nee Sales). Sampson Bakewell was a blacksmith and Mary was the daughter of a Derby blacksmith. In 1696 when Robert was fourteen years of age it is believed that he was apprenticed to on of a group of blacksmiths working in London. This book is a collection of photographs (many in color); drawings; and descriptions of his work throughout England.

Ironwork - History

Publisher Scarthin Books. 1988. 112 pages

This book is an introduction to the work of Robert Davies and his brothers; wrought ironsmiths; who lived and worked at Croes Foel; Wrexham in the 18th century. The gates at Chirk Castle; Erddig Hall; Hawkstone Hall and the Parish Churches of Wrexham; Oswestry and Ruthin are documented examples of their work.

Gates - History; Ironwork - History

Publisher Intl Specialized Book Service Inc. 1980. 111 pages

This is an Arms and Armour Handbook. Topics covered include: Materials; Process; Sources Tools for the Beginning Armourer SCA Style Sword Construction Shortsword; Greatsword; Falchion and Katana Construction Mace; Axe; Polearms and Sword Scabbards for SCA Use Barrel Helm; Spangenhelm; Neck Protection and Gauntlet Construction of 14th Century Coat of Plates for SCA Use Construction of Leg Harness Shields; Round & Heater; Glat & Curved; Wood & Metal Counstruction of a Rope-Rimmed Shield by Friederich von Grunwald Basic Arc Welding Basic Repousse' Techniques by Nahum Hersom And Much More!

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Raymonds Quiet Pr. 1987. 220 pages

This exceptional volume documents the many uses of wrought iron in architecture from the fourteenth century through the twentieth. 380 illustrations show gates; railings; screens; lighting fixtures; bannisters; balconies; and much else. Includes examples from Italy; Spain; England; Germany; France; Belgium; Holland; America. Indispensable Sourcebook. Introduction.

Reprint. Originally published: New York : Scribner; 1929.

Architectural ironwork; Decoration and ornament; Architectural; Wrought-iron

Publisher Dover Publications. 1984. 202 pages

This book has drawn great praise from the public and also from master smiths such as Uri Hofi. It is a real whopping treatment of the Blacksmith's Craft in 430(!!) pages jam-packed with useful information. This book; among many other things; gives a lucid account of how to forge weld; has the plans to make several sizes of leather bellows; has scientific specifics of what happens to iron when it is heated in a blacksmith's forge; presents some of the basic physics with force and acceleration formulas that come into effect when a blacksmith swings his hammer; what happens when steel is heated; quenched to harden; and reheated to draw the temper in steel. Young's modulus is presented as is Poisson's ratio when iron is heated and hammered. An explanation of the electrical polarity of iron atoms is given along with the effect forging iron has on the lattice structure of iron molecules and dendritic grain arrangements in a forged iron. Why forged steel is much stronger than cast steel is given. An example of an "S" curve is presented of the quenching process. Forging Damascus knives and swords is presented. How to sharpen a plow point is given - and much more. Bob Heath has been practicing his craft for decades and you'll be glad you shelled out a few dollars for the advice and information Bob has collected over all these years.

Beginning metalworking; Blacksmithing; Forges; Metal working; Metallurgy

Publisher Heath Iron. 1998.

The purpose of this book is to compile as complete a list as possible of instructions for the different metal finishing operations the normal craftsman or shop will use. Though these instructios are primarily firearm related; they do apply to all other types of metal finishing operations.

Finishes and patinas

Publisher H & P Pub. 1992. 364 pages

Every door is at once a boundary; shutting off one area from another; and also a bond between the inside and the outside. Thoroughout the ages entrance doors to buildings have always had to be exceptionally robust. Batten construction conferred on them the necessary strength; but it also provided interesting scope for decoration. Signs and symbols already appeared centuries ago to furnish an indication of what lay behind the door. Ornamentation of doors in modern times is a special feature of church architecture. In the realm of the sacred; the door has a special roleas a threshold to the world beyond. In the secular field too however; the plain; flush door or the single metal-glass system are giving way to livelier and more original designs. Individually created doors are increasingly found beside the anonymous factory product. Now we are beginning to experiment with the structure and aesthetic appearance of interior doors in buildings as well. This book is filled with black and white and color photographs of door systems. Many styles and mediums are represented. Captions are in German and English.

Architectural ironwork; Architectural ironwork - Themes; motives; Blacksmithing - pictorial/inspirational

Publisher Hoffmann. 1977. 144 pages

This book is written in German. It is primarily black and white photographs of stairways. Many drawings accompany the photos to give a basic idea of how they were laid out.

Architectural ironwork; Stairs

Publisher Deutsche Verlags-Anstalt DVA. 1992. 167 pages

With rules; tables and receipts; useful to manufacturers; machinists; well drillers; engineers; liverymen; blacksmiths; wagon makers; horse shoers; farmers; amateurs; etc. Illustrated.

Blacksmithing

Publisher Lindsay Publications Inc. 1988. 204 pages

319 pages filled with black and white photos of historic German architectural ironwork.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Wasmuth. 1993. 320 pages

Charcoal is carbon extracted from plant material; wheras coke is the carbon obtained from coal. Making coke and charcoal is much like making moonshine whiskey. Both use the process of distillation. Turning wood into charcoal is fairly easy if you have some room and the neighbors won't complain!

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Lindsay Publications. 1982.

Charcoal was the smelting fuel of the bronze ages and has been in continual use in Europe for over five thousand years. Essential to the early metalworkers; history records its manufacture and the use of its by-products but gives few details of the charcoal burners - obscure figures often working in remote forest areas. This book describes the rapid growth of the industry up to the seventeenth and eighteenth centuries and how the emphasis of development changed to the production and refining of charcoal's by-products - acetic acid; tar and wood spirit - for the textile industry and the rapidly growing chemical industries. The use of charcoal and its chemical products declined in the western world as methods changed; but today it is still widely used in the metal industries. The industry has entered a new cycle of growth because charcoal is the only solid; high-temperature and smokeless fuel which is made from a renewable source of raw material.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Shire. 2002. 32 pages

1942 ed. published under title: Art metalwork.

Art metal-work; Blacksmithing projects; Blacksmithing training and techniques

Publisher Dover Publications. 1972. 202 pages

Cover to cover black and white photos and illustrations of design elements; details and techniques. Text and captions in German.

Architectural ironwork; Blacksmithing training and techniques; European metalwork

Publisher Wasmuth. 1981. 238 pages

Have you ever made a bolt head by welding on a ring? Have you made a rocker arm? How about a steam locomotive reverse shaft? Or a rudder frame? Besides these rare topics you get a complete discussion of blacksmith shop equipment: the forge; tuyeres; bellows; hood; chimney; fuels; anvil; all types of hammers; chisels; and all the rest. The second part will teach you about the making of cast and wrought iron and basic operations of forging. You'll make an eye hanger; gate hook; and other educational projects. You'll learn how to weld and make a small chain and tongs. This 1906 technical school textbook will teach you both the basics and new tricks.

Beginning metalworking; Blacksmithing

Publisher Lindsay Publications; Inc. 1983. 53 pages

A look at historical ironwork through many color photos and illustrations; with a brief introductory text and English captions.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Magna Books. 1990. 64 pages

Includes index.

Blacksmithing - pictorial/inspirational; Decoration and ornament - Art nouveau; Ironwork - History

Publisher Dover Publications. 1981. 128 pages

New information is presented by one of the world's foremost authorities on weathervanes in this fascinating study. Classic and never-before-seen pieces illustrate the distinctive vitality of this folk art form. Weathervanes from the mid to late 19th century have come to be considered three-dimensional sculpture; suitable for decorating modern corporate offices and homes. Dynamic wooden and metal weathervanes are organized into groups by the assorted forms they depict. Manufacturers are identified; and their back-grounds are explored. The weathervanes in this superb book are guaranteed to inspire an active interest in weathervane collecting.

Weather vanes

Publisher Schiffer Publishing. 1997. 160 pages

This book was created to prepare applicants and candidates for the ultimate academic battlefield - the examination room. A question and answer book designed to prepare you for passing a test on blacksmithing and related skills such as math.

Blacksmithing training and techniques

Publisher National Learning Corporation. 1994.

Patterns and instructions for making 68 weather vanes modeled on American folk art masterpieces. Patterns can be used for dozens of folk art projects.

Metal-work; Weather vanes; Woodwork - Patterns

Publisher Stackpole Books. 1990. 160 pages

An Exhibition of His Work at the Pennsylvania Farm Museum of Landis Valley; 1972-1973. The official exhibition catalog; with over 100 photographs.

Blacksmithing - History

Publisher Pennsylvania Historical and Museum Commission. 1971.

This collection of interviews with blacksmiths; old and young; male and female; challenges preconceived notions about practitioners of this ancient craft. Among the nine working smiths within a 100-mile radius of St. Louis; Richard Reichelt finds a wide range of personalities; backgrounds; work created; and reasons for being a blacksmith. Consider just three blacksmiths included in this book: Les Ostendorf is a farm blacksmith who sees smithing as an essential occupation; farmers depend on him to repair their machinery. L. Brent Kington; Director of the School of Art at Southern Illinois University; Carbondale; is known worldwide for rekindling an interest in blacksmithing during the past decade and a half. Roberta Ann Elliott-Francis is often faced with disbelieving customers when they discover she is the creator of the artful metalwork she sells. Other smiths who are featured: Rudolph Williams; Darold Rinedollar; Daryl Meier; Donald Asbee; Robert Schantz and Thomas Gipe. Richard Wilbers and Richard Reichelt; in nearly seventy black and white photographs; document each smith’s work.

Blacksmiths - Interviews

Publisher Southern Illinois Univ Pr (T). 1988. 177 pages

A book of design suggestions and illustrations with a 1970s flavor. Captions in German.

Design Suggestions and Illustrations

Publisher ColemanEntwurfsmappe. 1977. 32 pages

From AABA Library book review: The subject Otto Schmirler chose for this book is ironwork for buildings; with emphasis on security and ornamentation. This book is for craftsmen who already possess the basic knowledge of forging iron. All of the drawings and photographs in this book were hand-picked by Schmirler from his archives. These true-to-scale drawings formed the basis of his work. "The drawings of pieces reproduced here are all original and sketched by me." His drawings were used to faithfully record the details he would wrought in the iron; to file away for commissions in the future; and to pass on what has been learned. His drawings and photographs include sculptures; garden gates; letter boxes; gates and doors; lanterns; grilles for doors and windows; furnishings; balustrades; garden furniture; fountains; decorations; and screens. Text also in English and French.

Architectural ironwork; Ironwork

Publisher Wasmuth. 1979. 296 pages

From a review at Amazon.com: Very clear explanations of the properties of the various metals and alloy groups; especially steel and steel alloys; copper and copper alloys; aluminum; and zinc; with especially good treatments of the effects of the many alloying elements. Some of these properties are quite paradoxical and still difficult to predict and understand their effects even today; but it makes for fascinating reading nevertheless. For example; it's understandable why adding such metals as tungsten; vanadium; titanium; or cobalt; and so on; would increase the temperature resistance and toughness of steel; since these are very tough elements with high melting points themselves. But why does adding aluminum produce a very fine; austenitic (i.e.; non-magnetic) grain structure; thereby increasing the overall strength of the alloy? Or why does silicon; a non-metal; greatly increase the fatigue resistence of steel; which is why it's often used in car and truck springs and other similar applications? Even stranger; why does nickel; a magnetic; ferrous element itself; when added in large enough percentages to steel; produce alloys that are non-magnetic or austenitic themselves? All of this made for fascinating reading and discussion. In addition to the above interesting sections; there are also very good discussions on such topics as the different types of furnace operations; annealing; hardening; and tempering; casting and finishing processes; heat treatment; defect analysis; and a nice section on thermodynamics and crystallography; as well as some special topics like powder metallurgy.

Metallurgy

Publisher Dover Pubns. 1969. 390 pages

Tools - history

Publisher Applied Arts Publishers. 1973. 32 pages

Architectural ironwork - Catalogs; Decorative cast-ironwork - Catalogs; Weather vanes - History

Publisher Dover Publications. 1982. 104 pages

In a sentence; the author has endeavoured to show; by illustrations and text matter; how to obtain the length of material for a job; the tools required; and the operations necessary to complete the job in the most expeditious manner. This book is especially helpful for power hammer tooling and work.

Blacksmithing; Blacksmithing training and techniques; Power hammers; Tool making and equipment building

Publisher Countryside Agency. 1991. 208 pages

A forge is simply a small coal furnace with a forced air blast. The particular design presented here; however; can also be seen as a small free-standing fireplace. The reason the forge presented in these pages is designed as a fireplace is that; especially for the home craftsman; it is desirable to keep fumes from the forge from being distributed throughout the shop. Thus; a hood is fitted with a relatively small opening so that the draft of the chimney pulls all of the fumes out of the shop area. This particular forge is very easy to make. The most difficult tool required is a circular saw fitted with a metal-cutting abrasive blade. No welding is required; although if you have a welder; you will find welds are more convenient and sturdy than nuts and bolts.

Tool making and equipment building

Publisher Lindsay Publications. 1988. 15 pages

Provides instructions to make a blacksmith's bellows; based on and/or patterned after a bellows belonging to the Agricultural & Forestry Museum in Jackson; Mississippi.

Tool making and equipment building

Publisher Self Published. 1985. 26 pages

This is a how-to style book for ornamental ironworkers. It is printed in three languages; German; English; French. It is one of the most wonderfully illustrated books; loaded with hundreds of pictures and wonderful water color drawings on blacksmithing and blacksmiths tools. Schmirler uses these illustrations to produce fantastically clear images of many specialized and rarely seen tools and how to use them. Also shown is a large variety of work used in wrought iron gates; railings; hardware; lanterns; grills; and other items. This book contains a vast amount of ideas and methods that blacksmiths of any skill level from will find useful. Otto Schmirler wrote; "...I decided upon watercolor or black-and-white illustrations that are especially easy to understand and remember; in order to avoid long written explanations." He does this so easily; each page has up to twelve illustrations making some of the most complicated processes look easy.

Blacksmithing training and techniques; Wrought-iron

Publisher Wasmuth. 1981. 128 pages

The Wallace Collection is a national museum which displays the wonderful works of art collected in the eighteenth and nineteenth centuries by the first four Marquesses of Hertford and Sir Richard Wallace; the son of the 4th Marquess. It was bequeathed to the British nation by Sir Richard's widow; Lady Wallace; in 1897. Volume I is the Armour edition - 240 ages of description and 104 photographs. Volume II is the ARMS edition - 400+ pages of descriptions and 100 + photos of edged weapons; hand and shoulder arms (guns). The third book is supplemental; filled with additional information and photos. Text with historical notes; photos and illustrations of European arms and armour. This is a set of three books that can be checked out individually or as a set.

Armor - History; Armorers - History

Publisher William Clowes and Sons Ltd. 1945.

The tenet of this book is provide a tool for artists/blacksmiths and metalworkers. It tells how to work metal: heating it; cutting it; upsetting it; drawing it out; twisting it; forge welding it and shaping and assembling it. It tells about metallurgy and tool making; metal finishes and corrosion; sources of information and supplies; charts and guidelines for many tasks. It explains the process of design; how to use the computer in metal design; how to set up a business and how to manage it. Providing an inspiration for all blacksmiths are portfolios of the wrought iron work of Martin Rose and Samuel Yellin; two of America's premier metalworkers of the past. To further inspire and to show the new focus of blacksmithing in the metal arts; six contemporary metalworkers show a series of demonstration pieces of their iron work. This 256 page book is bound with an improved binding system (Otabind) that allows the pages to lay flat.

Revision of: Edge of the anvil. Emmaus; PA : Rodale Press; 1977.

Beginning metalworking; Blacksmithing; Blacksmithing - pictorial/inspirational; Blacksmithing training and techniques

Publisher SkipJack Press. 1994. 256 pages

Explaining how it was done in bygone days; an illustrated guide to blacksmithing shows how to make all of the things the blacksmith traditionally created--knives; horseshoes; iron grills; rifle barrels; barrel hoops; and much more.

Blacksmithing - History; Blacksmithing training and techniques

Publisher Book Sales. 1996. 440 pages

This is one of the very few manuals written by a recognized professional smith; in this case; one with over 50 years' experience; whose work appears in hundreds of restorations throughout the country. The book has long been unavailable and a collector's item; this eagerly awaited reprint completely reproduces the original edition. Here traditional smithing techniques are presented in clear; step-by-step text and photographs; enabling the reader to produce high-quality; hand-forged small iron work. Included are detailed descriptions of work space layout; specialized tools and techniques; whitesmithing; toolmaking; and locksmithing. Mr. Streeter demonstrates not only how things are done; but how they can best be done by others. There is special emphasis on the crafting of early high-quality; handforged kitchen utensils; fireplace tools; locks; keys; and decorative ironware: hinges; hasps; latches; bolts; hooks; springs; and more. Students and professional and semi-professional smiths will find this volume of great practical value; as will collectors of early American ironwork; owners of colonial houses; historians; preservationists and restorationists in fact; anyone interested in knowing how these early products were made. 144 pages. 257 illustrations. 81/2" x 11". Soft cover.

Originally published: New York : Scribner; 1980.

Blacksmithing; Blacksmithing projects; Ironwork

Publisher Astragal Press. 1995. 144 pages

One of the most important scientific classics of all time; this 1556 work on mining was the first based on field research and observation and the methods of modern science. In 1912; the book was translated by former President Herbert Clark Hoover and his wife. The book contains an unprecedented wealth of material on alluvial mining; alchemy; silver refining; smelting; surveying; timbering; nitric acid making; and hundreds of other phases of the medieval art of metallurgy. The text even covers the legal aspects mining - the use of boundary stones; forfeitures of titles; safety requirements of tunnel-building in the 1500s; and so on. 289 authentic Renaissance woodcuts.

Metallurgy; Mining

Publisher Dover Publications. 1950. 672 pages

Out of print for a while; this classic reference work on antique ironware is available once again. Antique collectors; iron buffs; and industrial historians will welcome the opportunity to browse through its pages; which contain hundreds of photographs of fascinating items. Architectural hardware; lighting devices; and irons; tools; toys; weathervanes; fences and gates; and kitchen utensils are all presented; with examples taken from rarely-viewed private collections as well as major museums. Concise descriptions of each item pictured augment text that includes a great deal of historical and manufacturing information. You'll find details on the iron works at Saugus; Massachusetts; Batsto; New Jersey; Hopewell; Pennsylvania; and more. There's a discussion of the regional products of the South; Midwest; and Northeast of the United States; along with plenty of information on influences from England and Europe.

Ironwork - History; Ironwork - Pictorial works

Publisher Schiffer Publishing. 1979. 320 pages

Lots of photographs and drawings of very fine; classical European ironwork. All captions are in Italian only; but the pictures speak loudly! The book also features a chapter on Alessandro Mazzucotelli; but the text is in Italian.

Architectural ironwork; Blacksmithing - pictorial/inspirational

Publisher Di Baio. 1991.

This books starts with some text written in Italian; but then is filled with hundreds of inspirational color photos of Italian ironwork ranging from hardware to sculpture to architectural. All captions are in Italian.

Architectural ironwork; European metalwork; Ironwork; Ironwork - Pictorial works

Publisher Alinea Editrice. 1993. 430 pages

Many color and black & white plates of German sculpture. All text and captions are in German.

Metal sculpture; German - Exhibitions

Publisher Staatliche Kunsthalle Berlin. 1989. 202 pages

The Baltimore region has had a long tradition in iron production; beginning with the colonial era; and continuing throughout the 1950s as Sparrows Point became the single largest steel complex in the world. This book provides the first integrated treatment of this facet of the Industrial Revolution in Baltimore. Prefabrication; mass production; standard components - all were employed in nineteenth-century Baltimore's cast iron architecture and ornament. As a documentation and celebration of Baltimore's cast-iron fronts; the book details for the first time how the material of a cast-iron building was derived; fabricated; and erected. Its directory explores the history of each of the remaining cast-iron fronts in Baltimore; while separate chapters are devoted to the Peabody Library and the Sun Iron Building. This heavily illustrated work also includes reprinted catalogs of the Hayward; Bartlett and Bartlett; Robbins companies from the 1850s and 1860s.

Architectural ironwork; Cast-iron fronts (Architecture)

Publisher Schiffer Publishing. 1991. 116 pages

My Life as an Artist Blacksmith by Francis Whitaker as told to Gary Mansfield has his memories of his time with Samuel Yellin; his two years in Germany and then his years in California; Aspen and finally in Carbondale.

Autobiography

Publisher F. Whitaker. 1995. 121 pages

The Artist-Blacksmith's Craft; published in 1935 and My Life as Artist-blacksmith; published in 1941; are the literary legacy of Julius Schramm and offer a strong encouragement for renewal here in the United States just as they did during their day in Germany. This edition contains the text of both books. Schramm's words in The Artist-blacksmith's Craft speak to blacksmiths today with just as much importance as they did when he wrote them; at the age of seventy: Schramm's My Life as Artist-Blacksmith provides us with the philosophy of his craft; sharing the integrity and enthusiasm that he had for his work at the forge.

Francis Whitaker has been responsible for getting the Schramm books published; he suggested the books be translated by Robert Ruhloff and be published by SkipJack Press. Whitaker proudly carries on this tradition of blacksmithing gives us the final word on the contributions Julius Schramm: "We all took great pains to satisfy the master and in return had our own satisfaction in doing a fine job. A year with Yellin; two years with Schramm; set the pattern for the rest of my life. The pursuit of perfection."

Blacksmithing

Publisher SkipJack Press. 1995. 160 pages

Originally published in France in 1873. These outstanding drawings were collected by the author during ten years of travel in France; Germany; England; Italy; Spain; Switzerland; and Belgium.

Ironwork designs

Publisher Larson Publishing Company. 144 pages

Boye takes readers through each stage in the design and fabrication of a knife; showing how the process is completed; from cutting the blank from new or used steel to tempering the blade to grinding; polishing; and coating to the addition of the handle.

Knives; Metal-work

Publisher Rodale Pr. 1977. 288 pages

Information on Forging and Smithing; Damascus Steel; Swords; Armour; Helms; Gauntlets. Contact the librarian for specific topics covered.

Armour; Damascus; Swords

Publisher Raymond's Quiet Press. 1983. 288 pages

Information on Forging and Smithing; Damascus Steel; Swords; Armour; Helms; Gauntlets. Contact the librarian for specific topics covered.

Armour; Damascus; Swords

Publisher Raymond's Quiet Press. 1985. 288 pages

Information on Forging and Smithing; Damascus Steel; Swords; Armour; Helms; Gauntlets. Also contains reviews on Metal Working groups and their journals and reviews of related books.

Armour; Damascus; Swords

Publisher Raymond's Quiet Press. 1986. 288 pages

Information on Forging and Smithing; Damascus Steel; Swords; Armour; Helms; Gauntlets. Contact the librarian for specific topics covered.

Armour; Damascus; Swords

Publisher Raymond's Quiet Press. 1987. 288 pages

Tinware - History

Publisher Oral Traditions. 1982. 80 pages

M.T. Richardson's four classic books on blacksmithing are back in print in two; easy to handle volumes. Together; these books provide an invaluable basic resource for the modern day practitioner of this ancient craft. The carriage owner or restorer can; with Richardson's help; understand how pieces were originally made and fitted together; and how they can be replicated today. The tool user and collector will relish the discovery of old tools and equipment; some no longer available commercially or even in current use. Historians and Americana enthusiasts will be able to glimpse the past with a better understanding of the mindset and aesthetics of an earlier time. And the blacksmith; through Richardson's emphasis on technique and craftsmanship; and his straightforward prose and illustrations; will be better able to understand smithing's central processes.

Part One (Volumes I and II) begins with an account of the tools and equipment of blacksmithing and continues with shop plans; diagrams demonstrating various smithing techniques; and discussions of iron and steel. Finally; there are the detailed; yet simple; practical descriptions of smithing's central processes; including drilling; fullering and swaging. 528 pages. Fully illustrated. 6" x 9". Soft cover.

Blacksmithing; Tool making and equipment building; Tools

Publisher Gramercy. 1987. 1061 pages

This is a bound photocopy of the original book. Traditions and lore of blacksmithing. 1953

Blacksmithing - History

Publisher RIDER. 1953. 160 pages

This is a bound photocopy of a book originally written in 1916 and reprinted in 1930 with the addition of information about modern inventions; such as the oxy-acetylene torch. The original book was designed primarily to assist the beginner in learning both the theory and practice of forge work through self-instruction. On this account; the first chapters are purposely elementary and simple. A large number of examples of work are furnished which are suitable for technical high schools and vocational schools; from which the instructor may select to meet his needs. In the chapters on Advanced Forging and Art Forging; the ambitious worker will find directions for more difficult types of work which he may undertake as his skill increases; for art-craftsmanship know no bounds. The author has attempted to weave together the artistic with the plainer work; as well as to present in clear form that information needed for all the various general work that may occur in the machine shop; in the tool-making plant; in the repair shop and in decorative; ornamental or art work.

Blacksmithing; Blacksmithing training and techniques

Publisher John Wiley & Sons. 1930. 277 pages

The Blacksmith and Wheelwright Shop at the Shelburne Museum preserves the tools of an art form which has helped make possible our present and advanced way of life. Most of the tools preserved in the Museum's shop are shown. Those selected reveal the type of work done in a shop where the blacksmith combined his work with that of the wheelwright and carriage builder. The Shelburne Blacksmith & Wheelwright Shop is typical of the kind once found in a small American community.

Blacksmithing - History; Tools - history

Publisher The Shelburne Museum. 1966. 272 pages

Here is an accurate and representative record of the colonial blacksmith and his work. It is intended; says the author; to "bring to the attention of the lover of good craftsmanship the pleasing variety of design; the artistic conception and beauty of workmanship displayed in early American wrought iron." Extensive attention is given to the illustration of balconies; grilles; gates; weathervanes; shutter fasteners and footscrapers; as well as to a variety of household items such as andirons; kitchen utensils; and lighting equipment. This is a study of wrought iron; but; as we pursue it; we touch upon a host of other areas that make the colonial period come vividly to life; and reveal the blacksmith as a craftsman worthy of reverence. 263 pages with 320 plates from drawings by the author.

Ironwork

Publisher Bonanza. 1988.

Architectural cast and wrought ironwork has served as an important form of ornamentation for hundreds of years; and its use is notable in several geographic areas and historical periods of American architecture. This reissue of a classic treatise on the history and technology of architectural ironwork brings to the modern architect a clearer understanding of the myriad forms and uses to which ironwork has been put. In addition; this handy book is full of practical techniques for restoring and preserving ornamental ironwork. Also shown are many of the traditional patterns and design motifs; which can be used as tracings for contemporary design.

Architectural ironwork - History; Architectural ironwork - Themes; motives

Publisher McGraw-Hill Professional Publishing. 1991. 224 pages

From a review by Houston Area Blacksmiths’ Association (HABA): "This is one of the best books on the history of iron as well as why heated iron does certain things. This is one of the few books that attempts to give a layman some understanding why iron looses its magnetism when heated to a particular temperature. Coverage includes a wide range of metals; including wrought iron." A reprint by Lindsay Publications Inc; 1992

Iron; Steel

Publisher Frederick A. Stokes Co. 1917. 358 pages

Here is a book full of vitality; written by a man who has been happy enough to find his vocation in a field where he has few rivals. The tone of this book from beginning to end is happy. There is the happiness of the artist and of the young man who has done a thing well; and knows that he has done it well. He can also congratulate himself in these days of mass production on having demonstrated the virtues of a small unit. He writes of the struggle to keep blacksmithing an art and not allowing it to go the way of the Industrial Revolution. It is filled with recollections of various blacksmithing jobs he did; including a section on a traditional garden gate with tenons; hinges and a latch. Photocopied reprint by Yonna Valley Forge; Bonanza; OR

Blacksmith personal story; Blacksmithing projects

Publisher University Press. 1936. 112 pages

Art - Early works to 1800; Christian art and symbolism - Early works to 1800; Technology - Early works to 1800

Publisher Dover Publications. 1979. 216 pages

This is a catalog of the artists and their art that was featured in England's first international ironwork display at the V & A museum in London in 1982. The book starts with an overview of blacksmithing in history and today. Then the featured artists have a timeline biography and captions to describe their work. There are many black and white photographs of the pieces that were on display.

Blacksmithing - pictorial/inspirational; Blacksmithing exhibition; Blacksmiths - Biography

Publisher Olympic Marketing Corp. 1984. 100 pages

Charleston Blacksmith is a guidebook to the beautiful ironwork of Charleston createdby the historic city's best-known blacksmith; Philip Simmons. Simmons's mastery of the craft and his love for the hammer and anvil are evident in the more than one hundred photographs of his ironwork that are included in this book. Author John Michael Vlach describes the methods; motifs; and materials employed in each piece and shares some of Simmons's personal recollections from the seventy years the blacksmith has spent perfecting his craft. A map of the city is included; giving both the location and a brief descriptionof each creation by Simmons. Readers will quickly understand why Philip Simmons has been hailed a "living national treasure."

Blacksmithing - History; Blacksmiths - Biography

Publisher University of Georgia Press. 1982. 168 pages

This books contains an historically accurate picture of the late-nineteenth-century New England smith; who daily performed the miracle of transforming lumps of red-hot iron into objects of utilitarian function. The many details of the blacksmtih's life and trade - his duties; his social position; the specific operations he performed at the anvil - are brought into sharp focus as the blacksmith's legend is turned into fact. The author supplies detailed information for planning the layout of a "Village Blacksmith Shop;" constructing a forge with its hearth; firepot; and chimney; and for building a "leather lung" bellows.

Blacksmithing - History; Tool making and equipment building

Publisher Thomas Y. Crowell. 1977. 171 pages

This book teaches the artist and craftsman how to make his own tools: how to design; sharpen; and temper them; using only basic shop equipment and scrap steel. The guidelines offered in this book are identical to the information and explanations given by the author in his teaching. Beautiful; clear drawings are "picture translations" of his personal demonstrations; showing the step-by-step progression from the raw material to the finished product - the handmade tool. With this book; artists and craftsmen need no longer experience the frustration of being unable to find a tool made specifically for their own need. They can learn the almost lost skills that before enabled people to make for themselves whatever tool they needed; and they can feel the same pride in this accomplishment. Contents include: A Beginner's Workshop Tempering Steel Making the First Tool - A Screw Driver Making a Cold Chisel and Other Simple Tools Making Stonecarving Tools Sharpening Tools Making Carpenters' Chisels Making Cutting Tools Eyebolts and Hooks Making Too Handles Making Hammers Making Woodcarving Gouges Making a Seating Cutter and Hinge Joints Making Tinsnips Making Wire and Nail Cutters Making Large Shears Making Pliers Applying Color Patina to Steel Surfaces

Tool making and equipment building

Publisher Van Nostrand Reinhold Company. 1973. 93 pages

The modern blacksmith must learn to do by himself what the old-time blacksmith and his helper did as a trade. It is this that Alexander Weygers teaches here: how to use the basic techniques and tools available and resort to whatever can be invented; improvised; and constructed to make "things" out of "nothing." The 600 illustrations represent; as nearly as possible; live demonstrations in the shop. They are intended to show how something can be done: not the only way; but on of many possible ways. Above and beyond showing how; the why is stressed as of overriding importance.

Beginning metalworking; Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques; Metal working; Tool making and equipment building

Publisher Van Nostrand Reinhold. 1974. 144 pages

Here is another extraordinary guide to useful blacksmith and machine-shop work for craftsmen by the author of The Making of Tools and The Modern Blacksmith. Stressing the creative reuse of old materials; this invaluable book provides a wealth of easy-to-follow procedures for making; repairing; and maintaining a great variety of equipment and parts; from shovels and chisels to washers and bearings. More than 600 clear drawings are "picture translations" of Weygers' workshop demonstrations of his techniques; and show the step-by-step development of each project from start to finish.

Metal working; Tool making and equipment building; Woodwork

Publisher Van Nostrand Reinhold (Trade). 1978. 117 pages

By applying their abundant natural resources to ironmaking early in the eighteenth century; Americans soon made themselves felt in world markets. After the Revolution; ironmakers supplied the materials necessary to the building of American industry; pushing the fuel efficiency and productivity of their furnaces far ahead of their European rivals. In American Iron; 1607-1900; Robert B. Gordon draws on recent archaeological findings as well as archival research to present an ambitious; comprehensive survey of iron technology in America from the colonial period to the industry's demise at about the turn of the twentieth century. Closely examining the techniques--the "hows"--of ironmaking in its various forms; Gordon offers new interpretations of labor; innovation; and product quality in ironmaking; along with references to the industry's environmental consequences. He establishes the high level of skills required to ensure efficient and safe operation of furnaces and to improve the quality of iron product. By mastering founding; fining; puddling; or bloom smelting; ironworkers gained a degree of control over their lives not easily attained by others.

Iron - Metallurgy; Iron-works - History

Publisher The Johns Hopkins University Press. 1996. 344 pages

Instruction manual for making animal heads out of iron. Each step illustrated with photographs. It also includes a section on how to forge the tools required to complete the projects.

Blacksmithing projects

Publisher Guild of Metalsmiths. 1991. 33 pages

Author's quote: "I intend this book to concentrate on chasing and related techniques and act as a compendium of information non-reading students can learn enough from visually to be able to achieve their desired results. By bringing in the work of four artists; I hope to motivate students to read and thereby gather many more helpful hints and suggestions that will make their efforts just that much more rewarding."

Chasing (Metalwork); Tool making and equipment building

Publisher LarMar Productions. 1994. 72 pages

Albert Paley: Sculptures; an exhibition organized by The University of the Arts; brings back Albert Paley to Philadelphia; where he was born and educated and where he attained his initial success as a prominent metalsmith. This project; which documents a significant transition in Albert Paley's celebrated career; features large-scale sculpture; models; and drawings from 1989 to 1991. Full page photos are in both black and white and color.

Art; Modern - Exhibitions; Ironwork - Pictorial works; Metal sculpture; Metal sculpture - Exhibitions

Publisher The University of the Arts Press. 1991. 40 pages

The techniques of metal colouring; bronzing and patination are assuming a new importance in contemporary fine metalwork and design. Richard Hughes and Michael Rowe have assembled and tested the recipes in this book; which is the most comprehensive work on the subject currently available; an essential reference and sourcebook for practitioners and all those involved in sculpture; architecture; design; and the decorative arts. It brings together hundreds of recipes and treatments previously scattered in a variety of old books and technical papers; and provides the artist-craftsman with a very wide range of coloured finishes.

Bronzing - Handbooks; manuals; Metals - Coloring - Handbooks; manuals;

Publisher Watson-Guptill. 1991. 372 pages

The title pretty much says it all. This book was written to try and convey enough information that will enable a beginner to make a forge weld. There is quite a bit of text to help explain the illustrations.

Blacksmithing; Blacksmithing training and techniques

Publisher Valleyview Forge. 1995.

The Musee' Le Secq des Tournelles in Rouen contains the largest collection in the world of old wrought iron. It is housed in the former Eglise Saint-Laurent; next to the Musee des Bequx-Arts. The collection contains approximately 15;000 objects of every possible origin (mainly European); from all periods; and of all types (excluding weapons). This is a little booklet about the museum collection. Many color photographs.

Blacksmithing - pictorial/inspirational; European metalwork; Ironwork; Ironwork - Catalogs

Publisher .

Sachse is a master bladesmith/blacksmith in the highest sense. Not only can he make beautiful and varied styles of damascus steel; but he has meticulously researched the history of both the pattern styles and how they were made. In many cases he has remade the historical styles himself. The book is filled with rare and colorful pictures of damascus and wootz steel objects. This includes everything from what you would expect to find - knives; guns; and swords - to more unusual objects like armour and jewelry. The information in this book is helpful whether you are an expert or a novice.

Blacksmithing - pictorial/inspirational; Damascus

Publisher Verlag Stahleisen; Dusseldorf. 1993. 255 pages

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

A Monthly Journal of Illustrated Techniques Contact the RMS librarian to find out what topics are covered in this set.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Demonstrators that year were Robb Gunter; Nol Putnam; Nana Showalter; and Michael Sari. Many gallery pictures are in the album.

Blacksmithing - pictorial/inspirational

Publisher . 1996.

Demonstrators that year were Hoss Haley; Cathy Borthwick; David Norrie; Chris Axelson. Many gallery pictures are in the album.

Blacksmithing - pictorial/inspirational

Publisher . 1996.

Decoration and ornament - Themes; motives; Decoupage

Publisher Dover Publications. 1979. 128 pages

Build a moveable furnace on legs traditionally used by farriers. But you could use it as a small forge; heat treating; etc. 8 1/2 x 11; 36 pages. With simple tools you can build a fire pot 7 1/2" square internally and 4 3/4" deep; blown by a shop vac (here; at least). You can fire it with grocery store charcoal; coal; or even coke. Simple; but useful project. Detailed instructions and many drawings. Good information.

Tool making and equipment building

Publisher Don Meador. 2000. 36 pages

A Monthly Journal of Illustrated Techniques View contents of the August 1996 to July 1997 issues by going to the "The Blacksmith Journal" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

this book; written by two of the World's foremost experts in the field of percussion tool technology; succeeds in its avowed task of making sense of an implement that ranges from the simplicity of a stone on the end of a stick to the complexity of patented special purpose hammer that only an inventor's mother could love. Divided into two distinct sections; the book begins with a pictorial analysis of hammers of every sort; and includes photographs of mallets; double claw hammers; stoneworking hammers; tack hammers and many; many; more. The second section; and the one that will prove most worthwhile to collectors and dealers; features an index of all known hammer patents together with the original patent drawings as submitted to the U.S. Patent Office. Included are patents for hammers for the one-armed man; nail holding hammers; double claw hammers; combination tools of every sort (including a hammer/wrench combination that is an insult to the integrity of each of its components) and much more. If you have an interest in tools; "The Hammer" will open the Door of Discovery to an interesting and infinitely variable world. An essential reference. The purpose of this book is to identify and classify the great variety of hammers that have been developed; adapted; invented; or simply evolved through the centuries; and to pay homage to those ingenious individuals whose creative minds conceived and whose talented hands fashioned those hammers which appear within these pages. It is our hope that after studying the hammer photographs and patents in this book and appreciating their diversity; the reader will have no doubt that the hammer is indeed the King of Tools.

Hammers; Tools - history

Publisher Baird and Comerford. 1989. 352 pages

The Magnificent Classic The Engraving World Has Been Waiting For THE ART OF ENGRAVING brings to the reader - for the first time ever - a complete; authoritative; imaginative and detailed introduction and training in the art of gun engraving. It is a supremely unique book; for not only does it sweep aside the mystery which has surrounded engraving through the centuries; but it factually; simply and in layman's terms tells you how to engrave. Unlike so many so-called "instruction manuals"; The Art of Engraving does not assume you know anything about engraving. You start at the beginning by learning to draw scrolls and layouts; then cut practice plates until you are sure enough of your ability to actually proceed to designing a pattern; transferring it to a gun and cutting it into the steel. Whether you want to learn to engrave now . . . think you might like to in the future . . . or simply wish to broaden your knowledge of the art to be able to better judge the work of others (as you will learn to tell the good from the bad - and know why); this is the book for you.Every gunsmith; gun lover or craftsman - no matter what his other calling - has the soul of an artist. This personal; creative urge can be easily directed into the highly renumerative field of gun engraving through the coaching; no-nonsense instructions and technical support in The Art of Engraving. Chapters include: Design and Layout; Materials; Anatomy; Lettering; The Camera; Beginning to Engrave; Advanced Engraving and The Gravermeister. Hundreds of original engravings; designs and layouts by the author (plus samples from other master engravers) to explain specific points and techniques. Much of the original work is intended for you to copy and transfer to your own guns to create an engraving job you can be proud of having done. 208 extremely handsome 8½" x 11" pages. Over 1378 photographs; drawings; designs; layouts and illustrations. Deluxe; hardbound cloth covers. Bound a special way to lie flat. Printed on finest; dull-finished; coated paper available. Extensive use of color to highlight designs; illustrations; pictures. Thoroughly cross-referenced index. Comprehensive listing of reference books of design; equipment; precious metals; books. Written to be used on your bench; magnificent enough for the parlor . . . but above all; intended to teach you how to engrave a gun.

Engraving

Publisher Brownell. 1973. 196 pages

There is now a great revival of creative smithing in Britain. How did it come about and what are the influences that helped to open up the craft to 20thc. design? Part I - Looks back to the past - to Art Nouveau; Gaudi; and the ironwork of Charles Rennie Mackintosh; Explores the more recent input from Europe and America; follows the formation and development of the British Artist Blacksmith Association and seeks to define Modern Ironwork. Part II consists of monographs on eighteen of our finest Designer Metalsmiths and Sculptors; including: Terrence Clark; Alan Dawson; Alan Evans; Stuart Hill; James Horrobin; Giuseppe Lund; Charles Normandale; Peter Parkinson; David Petersen; Walenty Pytel; and Antony Robinson. Look into their minds. Find out how they arrive at their designs and tackle the problems of their commissions. Discover what modern techniques they employ. Total of 440 illustrations; photographs; drawings and wood engravings.

Tinware - History

Publisher Coach House Publishing. 1995. 224 pages

Iron artifacts; which chronicle day-to-day living in early New England; have been brought together for the first time in this remarkable book by author/collector Frank Barnes. Says John Hamilton; Curator of Americana at the Museum of our National Heritage in Lexington; Massachusetts; "In this pageant of New England ironware; we are stimulated to develop a rewarding awareness and appreciation of forgotten Yankee crafts and folklore. Admittedly; many questions remain unanswered; yet here in this unique collection; we have a workable point of reference for further study of Yankee wrought and cast iron. From cover to cover; this book is filled with captioned illustrations of New England Iron.

Hardware - Catalogs; Implements; utensils; Catalogs; Ironwork - Catalogs; Tools - Catalogs

Publisher Christopher Pub House. 1988. 237 pages

Norm Larson Books This work contains an explanation of the processes of cold metal work; chiefly as applied to decorative or industrial art; and especially with a view to their being taught to children in elementary and preparatory schools. The author believes that it may be regarded as thoroughly adapted to this purpose; he having been founder and director for four years of the industiral art classes in the public schools of Philadelophia; in which some of these branches of metal work were taught with great success. The principle which guides this book is that the rudiments; or first and easiest stages of anything to be mastered; must be very thoroughly acquired; and no step forward be allowed till the pupil is really a master in all that has preceded it.

Beginning metalworking; Metal working; Repousse; chasing; chiseling metal work

Publisher . 1894. 111 pages

The primary material; essentially consisting of church doors with ornamental; symbolic and apotropaic representations in wrough iron; is accounted for in a catalogue comprising 536 items and illustrated by 1120 photos and drawings. The catalogue is supplemented with a reasoned exposition consisting of: a regional survey of Swedish ironwork; a comparison with ironwork from the rest of Europe; an iconographic chapter which examines the extent to which the position of the ironwork on a door has influenced the choice of motifs; an analysis of the legal aspects - particularly regarding right of asylum - of the ringhandle; an illustration of the importance of material and technique in the absolutely unique development of wrought-iron forms; a survey of the carpentry construction of ironed doors; and; finally ; a chapter on chronology. The reasoned passages are illustrated by 380 photos and drawings. The majority of Volume I is text; with quite a few photos and illustrations. Volume II contains many more photographs.

Title on prelim. p.; v. 1: Medieval ironwork.

Ironwork; Ironwork; Medieval

Publisher Almqvist & Wiksell Internat. 1988. 437 pages

The primary material; essentially consisting of church doors with ornamental; symbolic and apotropaic representations in wrough iron; is accounted for in a catalogue comprising 536 items and illustrated by 1120 photos and drawings. The catalogue is supplemented with a reasoned exposition consisting of: a regional survey of Swedish ironwork; a comparison with ironwork from the rest of Europe; an iconographic chapter which examines the extent to which the position of the ironwork on a door has influenced the choice of motifs; an analysis of the legal aspects - particularly regarding right of asylum - of the ringhandle; an illustration of the importance of material and technique in the absolutely unique development of wrought-iron forms; a survey of the carpentry construction of ironed doors; and; finally ; a chapter on chronology. The reasoned passages are illustrated by 380 photos and drawings. The majority of Volume I is text; with quite a few photos and illustrations. Volume II contains many more photographs.

European metalwork; Ironwork; Ironwork; Medieval

Publisher Almqvist & Wiksell Internat. 1988. 615 pages

Reprint. Originally published: London : Methuen; 1912.

Armor - History; Armorers; Armorers - History

Publisher Dover Publications. 1988. 256 pages

A well researched and written history of the development of the mechanical power hammer; including the history of the major manufacturers; hundreds of illustrations including patent drawings; advertising engravings and over 250 B&W photographs. This is a case study of industrial technological product focusing on one particular product -- it is NOT intended as a "how to" book and offers no information on power hammer operations and techniques. But there are some very rare photos and ads that have been gathered and reproduced here; covering almost every U.S. manufacturer.

Inventions - History; Power hammers - History

Publisher Mingus Mountain Machine Works. 1997. 317 pages

Ecclesiastical interior design holds an amazing variety of uses for metallic materials. Typical examples include metal crucifixes and statues of Christ; baptismal fonts; candlesticks and candelabra; offertory boxes; chandeliers and bells. This richly illustrated book shows superb examples of these as well as grille doors; door handles; porches; grille partitions; organ galleries; etc. This book shows examples of unusual designs by representatives of a craft which not only derives its importance from the past; but is still fulfilling an important function. It also shows that today's creative metal designer need not fear comparison with the art metal worker of yesteryear. The entire book is filled with black and white photographs from cover to cover. Captions are in English; German and French.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Metal sculpture

Publisher Wasmuth (Ernst) Verlag;Germany. 1997. 220 pages

Until recently; little was known about Carl Wyland; one of the leading ironsmiths of the 20th century in Germany. Although most of the literature on ironwork publlished during the 1950s and 1960s includes references to Carl Wyland; information is generally sparse; since the majority of publications were conceived as pattern books and do not offer much text. This study about Carl Wyland takes a novel approach in analyzing the work of one of the most prominent ironsmiths of this time by placing it in its historical context. The majority of the book consists of black & white and color photographs of his architectural work. Text and captions are in both German and English.

Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Wasmuth; E. 1997. 144 pages

This book depicts over 50 unique pieces of African forged metal work that was shown at the University of North Carolina during th summer of 1998. This is a well-illustrated book covering dimensions; composition and history; as well as; a listing of exhibitors represented. This exceptional exhibition had been organized by Tom Joyce; a blacksmith from Santa Fe; New Mexico. The exhibition contained 115 pieces of forged metal work from areas south of the Sahara Desert in Africa contributed by various collectors. The exhibit had been underwritten by UNCA and by ABANA. Tom Joyce says of the pieces in the exhibit: "I selected the pieces to accentuate their esthetic qualities; to appreciate them as art alone is to separate the realities they activate and the ideology of the groups they express. Most of these works stay hidden from view and symbolize ethics that their makers conceived as the mythical framework of human interaction at the beginning of time; and they instill social order and organization to this day. The complex histories that brought each into being; however; are absent when the objects are taken out of context from their place of origin. Therefore they must be viewed as parts of wholes; residing now in a space entirely unrelated to their original function."

Blacksmithing - History; Blacksmithing - pictorial/inspirational; Ironwork - History; Metal sculpture; Metal sculpture - Exhibitions

Publisher University of NC at Ashville. 32 pages

A Monthly Journal of Illustrated Techniques View contents of the August 1997 to July 1998 issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

The first thing that catches your eye on opening the book is a beautiful color painting commissioned for the book called "The last anvil makers"; by Nathan Green. The book starts with your usual anvil basics illustrated by dozens of photos by the author (which; by the way; were well taken and reproduced with skill). Postman then goes on with a history of anvils and reproductions of hundreds of original anvil ads and fliers illustrated by even MORE of Postman's photos. He also reproduces important historical patents and patents for strange oddball anvil "systems" that may or may (more likely) not have been manufactured. There are numerous lists of makers marks and anvil stories collected by the author. The book also includes all kinds of anvil miscellany. Ads and trademarks using anvils; miniature advertising anvils and the hilarious Christmas card images created by Gill Fahrenwald; "Caught in a shower of anvils" and "Roasting marshmallows over an open anvil" There is also a smattering of vise; swage block and other forging/blacksmithing tools and equipment shown. This book description was excerpted from a review by David Poppke at Anvilfire.com. Please click on the link below to see the review in its entirety.

Anvils - History; Blacksmithing - History; Forging - History; Tools - history

Publisher Postma Pub. 1998. 552 pages

Nach einer Einführung in die Thematik und einem historischen Überblick stellt Adolf Steines in seinem Buch die Werkstoffe; den Arbeitsraum; die Werkzeuge sowie die Hilfsstoffe zum Treiben von Metall ausführlich vor. Die elementaren Bereiche; die vor jede Gestaltung gehören; greifen die Kapitel "Entwurf und Gestaltung" sowie "Übertragen der Entwurfszeichnung" auf. Im Anschluss folgt eine umfassende Erläuterung der einzelnen Arbeitstechniken; vom Auftiefen bis zum Weichglühen und Ätzen mit vielen Arbeitsbeispielen. Zahlreiche Abbildungen liefern Gestaltungsanregungen für die eigene künstlerische Arbeit. Das Kapitel "Oberflächenbehandlung" erläutert die verschiedenen Verfahren zum Reinigen; Färben; Polieren und Konservieren. Der Restauration alter Stilelemente und der Kunst am Bau ist jeweils ein eigenes Kapitel gewidmet. Im Anhang finden sich moderne Entwürfe. If you can read the book description above; then check out this book. If not; then check out "Moving Metal;" the English translation of this book!

Repousse; chasing; chiseling metal work

Publisher Charles Coleman. 131 pages

Albert Paley first came to prominence as one of the leading craft jewelers in America; an accomplishment that eventually led in 1969 to his extraordinary work as a monumental sculptor. Today he is recognized as one of the country's most gifted metal artists. The Art of Albert Paley is the first monograph on this important artist. Paley was born in Philadelphia and later trained at the Tyler School of Art; where he pursued his interests in jewelry and metalwork. It was this twin foundation that forged Paley's career; beginning in the early 1960s; at the height of American abstraction. Specifically; the artist's command of jewelry design prepared him for what remains his most famous commission; the portal gates of the Renwick Gallery of the National Museum of American Art at the Smithsonian Institution; Washington; D.C. These elegant eight-foot gates took Paley and an assistant one year to complete; they were unveiled to the public in 1974. Since that time he has made architectural sculptures for museums; organizations; and private clients worldwide; including the Reading Terminal Convention Center; Philadelphia; Yale University Art Gallery; New Haven; Wortham Center for the Performing Arts; Houston; and the Philharmonic Center for the Arts; Naples; Florida. In The Art of Albert Paley; noted critic and art historian Edward Lucie-Smith discusses the diversity and significance of Paley's achievements and explores how; like so many American artists; his work crosses the boundaries that separate art from craft. The more than one hundred illustrations reproduce not only Paley's major works; but also his preliminary drawings; many published here for the first time. This survey also includes a complete list of Paley's works; including major commissions; chronology; and exhibition history.

Artists' preparatory studies - Catalogs; Blacksmithing - pictorial/inspirational; Metal-work - History

Publisher Harry N. Abrams. 1996. 231 pages

Discover the basics of silversmithing in this thorough guidebook. Provides you with the complete picture; including types and properties of metals; required tools; and numerous easy-to-understand techniques. Feingold and Seitz have managed to do something where other authors in the jewelry field have fallen short: they explain the details that lifelong familiarity tends to omit as obvious; or so natural as to be forgotten. The six main sections are: 1. Introduction to Silversmithing 2. Basic Treatments 3. Basic Tools and their uses 4. General Procedures 5. Special Procedures 6. Projects

A Frank E. Taylor book.

Silverwork

Publisher Krause Publications. 1983. 480 pages

Beautiful Iron by Francis Whitaker is a photographic collection of his works with the metal sizes and his shop time listed under each photo. Whitaker is a modern legend among artist blacksmiths. The National Endowment for the Arts awarded Dr. Whitaker a 1997 National Heritage Fellowship in the Traditional Arts. This book will give you an excellent panorama of his work. There are pictures on almost every page. Whitaker's other published works include 'My Life as an Artist Blacksmith" and "A Blacksmith's Craft: the Legacy of Francis Whitaker".

Blacksmithing; Ironwork - History

Publisher Francis Whitaker. 1997.

A Monthly Journal of Illustrated Techniques View contents of the September 1998 to August 1999 issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

With the help of this unique book; all the fascinating properties of iron and other metals can be creatively explored. 52 color plates and 717 b/w photos and drawings present the ideas and examples visually. After a short history of ironwork; the author discusses the ironworking shop; forge and tools; including anvils; vises; hammers; tongs; punches; centrifugal blowers and machine tools. She presents information on building; lighting; and maintaining a fire. Forging procedures are explicitly shown: drawing out; flattening; bending; upsetting; twisting; splitting; punching and drifting; hot cutting on a hardy; and joining and finishing techniques.

Page 2 of cover contains last page of index.

Blacksmithing; Blacksmithing - pictorial/inspirational; Ironwork; Metal sculpture; Tool making and equipment building; Tools - history

Publisher Schiffer Publishing. 1999. 312 pages

The guidebook that has taught thousands has been updated with new materials; techniques and a full-color gallery of gold leaf signs. The fourth edition of the original gilder's bible by Raymond LeBlanc still details the art of gilding with step-by-step instructions and more than 170 illustrations; covering both the basics of handling gold leaf as well as advanced techniques and applications. It explains the basic procedures for creating gold leaf window signs; from layout; pounce patterns and gilding; to backing up; finishing and varnishing. Antique effects; common gilding problems; their causes; prevention and solutions are also included.

Finishes and patinas

Publisher ST Media Group International Inc. 1998. 160 pages

The book is packed from cover to cover with black and white photo plates with German; English and French captions. The first chapters of this book are devoted to practical spheres of life such as a variety of doors and gates in buildings; yards; and gardens. Then follows a section on Bergmeister's freely designed works which have been shown in many exhibitions or can be seen in towns; parks and gardens. The next section comprises smithery for church craft; focusing in particular on church and chapel grilles.

Blacksmithing; Blacksmithing - pictorial/inspirational; Ironwork

Publisher Wasmuth. 1997. 183 pages

A short biography of Alfred Habermann is followed by 150 pages full of black and white photos of his masterpieces with German and English captions. The table of contents includes: Fences; Gates; Doors; and Railings; Artistic Works and Sculptures; Embossed Works; Works for the Church; Restoration - Reconstruction; Lamps and Chandeliers

Blacksmithing - pictorial/inspirational

Publisher HEPHAISTOS. 1999. 176 pages

Edgar Brandt: Master of Art Deco Ironwork is the first book to document the life and work of the premier metalsmith of the twentieth century. A member of a group of extraordinary artist-craftsmen that included Emile-Jacques Ruhlmann; Jean Puiforcat; and Jean Dunand; among others; Edgar Brandt (1880-1960) was a leading force during a period of great achievement in French decorative arts and design; creating an entirely new aesthetic for the medium of wrought iron. Joan Kahr; the leading authority on Brandt; draws on extensive interviews with Brandt's family and former colleagues as well as period accounts culled from the art and design press of the day. She explores Brandt's multifaceted career as a talented artist; pioneering ironsmith; influential designer; and successful entrepreneur; detailing how he fused traditional hand forging with industrial methods and new technology - such as oxy-acetylene welding; power hammering; and die stamping - to make the incomparable objects in his repertoire.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Harry N. Abrams. 1999. 240 pages

The graphic method of describing machine parts and their movement by means of diagrams; line drawings and photographs has been generally accepted as the quickest and most satisfactory. Since the purpose of the book is to emphasize underlying principles and not structural details; such as would appear in a textbook of machine design; the sketches and drawings will present a maximum of useful basic information without confusing irrelevant detail; since the practical engineer and inventor need only an outline of an idea for his inspiration and would probably resent elaborate explanations. Topics include: Fasteners; Adjusting Devices; Supports and Structures; Basic Mechanical Movements; Elevators; Derricks; Cranes; Conveyors; Transmission of Liquids and Gases; Combustion; Prime Movers; Transportation; Industrial Processes; Electrical Appliances; Comfort Heating; Cooling; and Air Conditioning. There are many subtopics in each category.

Blacksmithing; Ironwork - History

Publisher Wm. Penn Publishing Corp. 1952.

Ironwork - Private collections - Catalogs; Ironwork; Colonial - Catalogs; Wrought iron - Catalogs

Publisher SkipJack Press. 1999. 256 pages

This guide is designed to help skilled blacksmiths who have little or no teaching experience to train others in forge work techniques; using easily obtainable equipment and scrap metal to produce tools such as hoes; sickles; hammers and axes.

Blacksmithing training and techniques

Publisher Practical Action. 1993. 70 pages

Author's note: This book is the culmination of my personal efforts through reading and trial and error to duplicate the basic forging operations used by traditional blacksmiths including the period from 1717 to 1780... Topics include: Tools and Basic Equipment; Forging Operations; Forge Welding; Forging Tongs; Manufacture of Nails; Bolts and other Fasteners; Wood Handles for Tools; The Art of Backyard Blacksmithing; Making Tools for the Fire; Kitchen Utensils from Black Iron; Hinges and Pintles; Candle Stands; Decorative Iron Work; The History of Blacksmithing

Blacksmithing training and techniques; Decoration and ornament - Art nouveau; Ironwork - History

Publisher D.J. Morre. 1995. 177 pages

Starting with only an anvil and a few basic tools; almost all the tools needed by a blacksmith can be made from commonly found materials. With clear instructions this book gives step by step instructions on basic blacksmithing.

Tool making and equipment building

Publisher Practical Action. 1993. 160 pages

The second quarter of the sixteenth century witnessed the emergence of a new fashion of armor design based on the forms and ornament found in classical art. Embossed in high relief; richly gilt; and damascened in gold and silver; these lavish parade armors all'antica were worn by Renaissance kings and captains who wished to project an aura of power and virtue by arraying themselves like the heroes of ancient Roman history and mythology. The re-creation of classically inspired armor is invariably associated with Filippo Negroli; the most innovative and celebrated of the renowned armorers of Milan. The core of the book is a thorough reexamination of all the armors signed by Filippo Negroli. Additional works are attributed to him; and lost works are identified. The authors confirm the attribution of two magnificently damascened armors to Francesco Negroli; and they present Giovan Paolo Negroli's single signed work along with pieces they consider to be his. Each armor is described; illustrated; and placed in the context of the maker's oeuvre; its history of ownership is discussed; and its treatment in the critical literature is assessed.

Catalog of an exhibition held at the Metropolitan Museum of Art; New York; N.Y.; Oct. 8; 1998-Jan. 17; 1999.

Armor - Exhibitions; Armor; Renaissance - Exhibitions; Armorers - History

Publisher Metropolitan Museum of Art. 1998. 357 pages

Author's note: I feel that I have a responsibility to keep the art of blacksmithing alive. To this end I demonstrate to the public and conduct workshops on the fundamentals of the trade in the hopes that I can provide the basic skills that allows the artistic creativity to flow. If I can achieve this aim through this book I will have done justice to all those blacksmiths that came before me. Table of Contents: The Forge; The Anvil and Other Necessary Tools; Safety Pays; Basic Fundamentals of Working Hot Metals; Hand Tools; Scrolls and Other Decorative Devices; Design and Layout; Dressing up Your Projects; Projects; Tables and Other Useful Information.

Blacksmithing training and techniques

Publisher Dolphin Press. 1998. 105 pages

A summary of the the art of the blacksmith together with a history of the role of the tomahawk in Indian life. Also; personal accounts by Milford Chandler about his experiences in the midwest watching smiths turn out tomahawks for the Indean trade. Accompanying these accounts is the most extensive visual record of tomahawk types yet published. More than 300 specimens are illustrated.

Ironwork - History; Knife making; Tools - history

Publisher Rutgers Book Center. 1994. 254 pages

This book will show you how to design and build your own Hydraulic Forging Press. A section is included which will enable you to alter a Log Splitter for use as a Forging Press. This book will improve your knowledge of structures; hydraulics; and will describe the relationships of horsepower; oil flow; cylinder speed and force. It will also help you to correctly match your hydraulic components; and offer ideas and products you may use in constructing a unity of your own design. This book and drawings are designed to help you build your own 24 Ton Hydraulic Forging Press. A two horsepower 220 volt single phase motor running at 1725 RPM powers a 5.5 gallon per minute "Hi-Lo" hydraulic pump. Ram force of 24 tons is applied by a 5" diameter double acting hydraulic cylinder at 2500 psi pressure. The movement of the ram die is controlled by a 4 way; 3 position hydraulic valve. The length of the ram stroke is 8". The maximum speed of the ram is 1.1 inches per second. The ram speed can be doubled by using a 5 horsepower electric motor running at 3600 RPM. Two copies in the collection

Tool making and equipment building

Publisher Batson Engineering & Metalworks. 1994. 46 pages

How to Make Bits & Spurs; originally published in 1985; was written and illustrated by Bob Hall; a master bit & spur maker. This easy-to-read instruction book explains and shows tools; metal types; measurements; cuts; welds; rivets; inlays; overlays; bluing; and many other details involved in making bits & spurs. How to Make Bits & Spurs is very popular with those who enjoy the beauty and construction of California-style bits & spurs.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Pioneer Pub. Co. 1985. 97 pages

Catalogue from the traveling exhibition Inspiration & Context: The Drawings of Albert Paley; Memorial Art Gallery of the University of Rochester; Rochester; New York. The exhibition appeared in the city of Orlando; Florida; The Hunter Museum of Art; Chattanooga; Tennessee; The Delaware Art Museum; Newark; Delaware; The Burchfield-Penney Art Center; Buffalo; New York; and St. Bonaventure University; Olean; New York.

Blacksmithing; Blacksmithing - pictorial/inspirational

Publisher The Gallery. 1994. 79 pages

The best place to start the study of locks is with the simple hand forged locks produced by smiths prior to the turn of the century. Unlike the finely finished locks produced in specialized shops; locks made by blacksmiths had simple mechanisms that did not need finely tuned parts. They were designed by smiths and reflected their dislike or reluctance to do benchwork. The variety of lock designs show us that some of the smiths had a working knowledge of more sophisticated lock mechanisms while other created locks that could only have been invented in a blacksmith shop. The Spruce Forge Manual of Locksmithing provides patterns and instructions to build five blacksmith-made locks. Each lock design is based on antique original and provides a sampling of the range of lock mechanisms that would have been produced in a common blacksmith shop. This is not a book on the history of locksmithing but rather a description of our approach to the problem of reproducing the sample locks chosen for this book. Using the original locks as a starting point; the authors developed patterns and instructions using techniques that can easily be performed by the average smith.

Locksmithing and hardware forging

Publisher Spruce Forge Pubns. 1999. 118 pages

The author traces the development of the designs and techniques used in the production of iron-work in England from roughly 1050 to 1500. Found mostly on church doors; chests and tombs (in the form of hinges; handles; knockers or grilles) the ironwork of this period is a virtually unexplored aspect of medieval art; and has proved to be a rich source of evidence for design and craft skills. Extensively illustrated with more than 600 photographs and drawings; Medieval Decorative Ironwork in England presents; for the first time; a comprehensive national record of this little-studied artistic medium. Geddes' discussion of iron-working techniques and the designs' symbolism will be of interest to students of medieval history; architecture and the history of art; while the catalogue provides a rich resource for archivists and church enthusiasts. Architects; conservators; designers and craftsmen will find the illustrations and technical analysis of great practical use; as well as providing a valuable source for design ideas.

Architectural ironwork - History; Blacksmithing - History; Blacksmithing - pictorial/inspirational; Forging - History; Ironwork; Ironwork - History

Publisher Society of Antiquaries of London. 1999. 432 pages

A Monthly Journal of Illustrated Techniques View contents of the August 1999 to July 2000 issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Vol I; No. 1: Topic - Surface Textures; Motif - Bar Endings; Floral; Tooling - Tenons & Tenon Tools; Architectural Iron: Joinery; Gallery - Period Graphics Vol I; No. 2: Topic - Mechanics of Design; Motif - One Piece Rose; Tooling - Bending Tools; Architectural Iron - Cabinet & Other Small Hinges; Gallery - Hinges Vol I; No. 3: Topic - Drawing & Layout; Motif - Floral; Folded Sheet; Tooling - Layout Tools & Techniques; Architectural Iron - Rails; Gallery - Railings Vol I; No. 4: Topic - Jigs; Fixtures & Forms; Motifs - Picket Motifs; Tooling - Split Picket Jig; Architectural Iron - Rails; Gallery - Pickets & Panels

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher NorDix Press.

Black and white photo plates from cover to cover with both German and English captions. From the author's introduction: "It's clear that this is a metal designer whose methods have very little in common with those of a traditional blacksmith; although all the processes are derived from techniques discovered in the forge. Hill uses streamlined; economical processes such as welding; squeezing; and pressing. Even the simplest objects produced in this way are true to the aesthetic of modern design. One of Hill's specialisms is his continuous efforts to develop ever simpler ways of joining components. His design details are not just technically convincing; they are inspired." "The aim of this book is to familiarise readers with Stuart Hill's signature style. It describes innovative manufacturing methods and introduces a new approach to viewing and appreciating metalwork."

Architectural ironwork - History; Blacksmithing - pictorial/inspirational

Publisher Wasmuth (Ernst) Verlag;Germany. 1999. 172 pages

Includes bibliographical references (p. 251) and index.

Blacksmithing; Blacksmithing - pictorial/inspirational; Ironwork

Publisher Schiffer Publishing. 2000. 256 pages

This 128 page book is a treasure trove for the amateur foundryman. It is absolutely packed with accurate information. Steve Chastain has written a modern; comprehensive "how to" guide on the construction and operation of small cupola furnaces. The chapters include: 1) Cupola theory and design considerations 2) Building a 10 inch cupola 3) Cupola operation 4) Air supply and blowers 5) Designing centrifugal fans 6) Construction of centrifugal fans 7) Construction of a Pitot tube and manometer 8) Calculation of Air Flow 9) Additional Cupolas based on the 15 inch shell 10) Oxygen enrichment 11) Purchase of Coke 12) Conclusion Appendix: Suppliers Airflow through pipe

Tool making and equipment building

Publisher Stephen D. Chastain. 2000. 128 pages

Original copyright 1913 "This book is intended for the student; the apprentice; and the artisan who works at the forge. For any one who cares to understand forgecraft; some things explained here will be found profitable." "Forgecraft is a fundamental subject and the only argument that fully proves many of its principles is a piece of iron or steel shaped and treated properly. Intelligence rather than great strength is now recognized as the chief requisite for success in this trade. But skill can not be acquired without experience; and while knowledge of the theory is more valuable to the possessor than practical skill; the latter ought to be gained first in order than the understanding may be correct." Topics include: The Forge; Tools; Materials Used; Formed Work; Hooks and Chains; Welding; Special Welds; Tool Smithing; Hardening and Carbonizing; Tempering; Metallography.

Blacksmithing - History; Blacksmithing training and techniques

Publisher Lindsay Publications Inc. 1993. 192 pages

Blacksmithing - pictorial/inspirational; Metal sculpture

Publisher Dover Publications. 1994. 208 pages

From Forge & Anvil is the story of one of smithing s most accomplished; yet little-known; artisans. With this photographic study; writer Candace Leslie and photographer Diane Hopkins-Hughs have restored Erich Riesel to his proper place in the pantheon of ironwork artists. The first part of the book tells the story of Riesel s life. Born in Germany; he came to America at 22 and after working as a cowboy on a number of Texas ranches; his gifts as a talented ornamental ironworker were accidentally discovered by two oilmen who were establishing handsome ranch/retreats on the banks of the Guadalupe River in the heart of the Texas Hill Country. For five years Riesel endowed their properties with beautiful ornamental works that have continued to evoke admiration. In this book; Leslie provides a fascinating description of Riesel s creative process; from discussing how he got his ideas (dreaming was important); through a step-by-step discussion of the construction of an artwork in iron. The second part of the book is devoted to Hopkins-Hughs black and white photographs. In these; she manages to harmonize her work with Riesel s; giving the viewer a wealth of information about his art. From massive ranch gates to airy railings to intricate chandeliers; Riesel turned out and Hopkins-Hughs captures masterpiece after masterpiece in wrought iron; creating a legacy that still endures.

Blacksmithing; Blacksmithing - pictorial/inspirational

Publisher Astragal Press. 2000.

Blacksmithing - pictorial/inspirational; Ironwork

Publisher Dover Publications. 1999. 96 pages

Who can resist the magic of beautiful wrought ironwork? What artists in iron have wrought over the centuries in ornaments and decorations is shown in this book through hundreds of captivating photographs. Thorough attention is paid to the restoration of wrought iron through discussions of techniques and various materials. The ironwork examples are organized according to the uses of ironwork; such as gratings that protect doors and windows; entries and gates from Europe in the Middle Ages; through the artistic creations of the 17th and 18th centuries up to works of our own day. Balconies and stairways; arbors; fencing; and church gratings provide exceptional opportunities for beautiful wrought iron artistry. Look and learn; and be inspired.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - History; Blacksmithing - pictorial/inspirational

Publisher Schiffer Publishing. 2000. 176 pages

In the 1930s sculptors began to heat and shape metal directly and a new type of sculpture and artist emerged. This revised and expanded edition retains all the techniques and inspiration to help artists find the answers they needed for creating direct metal sculpture. New chapters update its history over the past quarter century. One new chapter explains the impact public art programs are having on culture in our cities. There are also sections on the impact of the computer on design and marketing of art. This is the latest; most complete; and practical book about an art form destined to become increasingly popular. Over 475 illustrations offer ideas; inspiration; techniques; and finished examples of art. This book is a must own for artists; craftsmen; collectors; designers; gallery owners; museum curators; and everyone interested in metal sculpture. Historical examples show where the art has been; where it is; and who is doing it.

Blacksmithing - pictorial/inspirational; Metal sculpture

Publisher Schiffer Publishing. 2000. 248 pages

This new book showcases a vast array of ironwork commissioned for new commercial and residential building projects. Traditional styles in modern settings and designs that reach for new visual impact help to redefine ironworks status in our current society. There are over 375 spectacular examples from more than 100 of todays top blacksmiths; supplemented with historical works from 15 countries; some derived from old French and English ironwork. These include doors and hardware; staircases and railings; and gates and fences. This book will inspire architects; builders; homeowners; and artist-blacksmiths with the wealth of beautiful ideas it contains.

Blacksmithing - pictorial/inspirational

Publisher Schiffer Publishing. 2001. 240 pages

A Monthly Journal of Illustrated Techniques View contents of the August 2000 to July 2001 issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Contents include: The Coloring of Bronze - a brief history; Patina Formulas Used in the Book; Metals Used in this Book; Safety in Patining; Copper Alloys; Surface Preparation; Patina Methods - Basic Techniques; Hot Patinas; Cold Patinas; Protecting the Patina; Coloring and Pigment; Removing a Patina

Finishes and patinas

Publisher Sculpt-Nouveau. 1997. 286 pages

Originally published: New York : Dover Publications; 1970.

Architectural ironwork; Ironwork; Ironwork; Colonial

Publisher Dover Publications. 1998. 160 pages

Architectural ironwork; Blacksmithing; Blacksmithing - pictorial/inspirational

Publisher Dover Publications. 1992. 128 pages

Beitr. teilw. dt.; teilw. engl.; teilw. franz. - Literaturangaben

Metallurgy - History - Congresses; Metal-work; Prehistoric - Congresses

Publisher Deutsches Bergbau-Museum. 1999. 362 pages

This is a yearbook featuring some of the finest professional metalsmiths of the year. The artists featured live off their work. This book has many photographs of metalwork ranging from architectural work to abstract sculptures and everything in between. "Despite most different artistic styles; there are inner common features. If this yearbook manages to communicate the common features apart from the differences; we have achieved what we wanted."

Architectural ironwork; Blacksmithing - pictorial/inspirational; Metal sculpture

Publisher Verlag Hephaistos Publishing House. 2000. 232 pages

This is an auction catalog with many photographs of antique and fine art metal work that was auctioned in Amsterdam in 1998. The emphasis is on door locks; knockers; keys and hinges; plus more. An excellent reference book for those who design and create hardware. This post auction catalog consists of 533 lots; all illustrated; some color; with all lots described in detail.

Blacksmithing - pictorial/inspirational; Ironwork - Private collections - Catalogs; Locksmithing and hardware forging

Publisher . 114 pages

Blacksmithing - pictorial/inspirational; Ironwork

Publisher Dover Publications. 2000. 128 pages

Exhibition held at Guggenheim Museum; March 19-May 16; 1993. This handsome catalogue of a recent exhibit at Manhattan's Guggenheim Museum traces a fluid exchange of ideas among five sculptors who worked in iron between the world wars. Pablo Picasso and his Catalan compatriot Julio Gonzales collaborated on daring iron sculptures between 1928 and 1931. These "drawings in space" influenced American sculptors Alexander Calder and David Smith. Calder's experiments in iron ranged from delicate linear wire pieces to large fantastic shapes; while Smith invented iconoclastic forms that carried their own story with them. Meanwhile; Swiss artist Alberto Giacometti equated sculpture with mental space in works that explored the realm of human psychology. Art historian Ashton perceptively relates the iron sculptures of these five artists to the Surrealist obsession with objects. Spanish scholar Serraller fills in the political backdrop and also links their work to the Greek myth of the celestial blacksmith; with iron as a metaphor for the union of body and spirit. Gimenez curated the exhibit.

Art; Modern - Exhibitions; Metal sculpture - Exhibitions; Modernism (Art) - Exhibitions; Sculpture; Modern - Exhibitions

Publisher Guggenheim Museum. 1993. 331 pages

8X10 Hardcover edition originally published in Germany 1995. This book covers the art of metal working (Chasing and Repousse') and a little on the history. Many illustrations. Adolf Steines belongs in the highest echelon of German master metal smiths. He was born into a metal working family in Trier; Germany in 1935. At 20 he earned the diploma of Master Blacksmith. He continued his studies in Venice; Italy and also studied design and architecture at the Academy of Arts in Stuttgart; Germany. At 28 he opened his own metal studio in Bekond; Germany; where he created contemporary and traditional works in iron and bronze. Perhaps the most famous among these is the portal to the Royal Palace in Saudi Arabia. His book; Metall-Treiben; now in its 4th edition; has been translated into English under the title Moving Metal. Here he presents many beautiful examples of his art including techniques; tools; and materials in clear detail; which a novice can understand and follow. There is; however; a wealth of information on refined techniques and tricks of the trade; born out of decades of experience; which will surprise and stimulate even the expert. Methodically laid out; the text gives in detail all the instructions essential for the artist of repoussé; whether blacksmith; jeweler; silversmith; or sculptor. Profusely illustrated; this work covers design and design transfer; chasing; repoussé; sinking; raising; and surface treatment in great detail. The book thoroughly addresses the workroom; tools; materials; working surfaces (including carpeting and pitches); transfer of designs; sinking; raising; stamping; chasing; repousse' engraving; soldering; etching; as well as the coloring and protection of metal surfaces. Numerous examples of the author's works are illustrated including large scale doors; fountains; memorials; wall sculptures and portraits; as well as many delicate jewelry pieces. A number of tricks and special techniques are described; such as using air powered hammers for forming and chasing. Profusely illustrated with very clear drawings and quality photographs of objects and procedures; this book is essential for the library of every serious artist working with metal. See "Notes" below for Table of Contents.

TABLE OF CONTENTS Translator's Note History of Repousse' What is Repousse' Materials Gold Silver Copper Brass Other Copper Alloys Aluminum Tin Zinc Steel and Stainless Sheet Metal The Workshop Tools Hammers; Punches; and Anvil Support Materials - Carpet; Pitch; Lead; Plasticine Design and Execution Design Transfer Working Techniques Sinking Raising Punch Work Chasing Pitch mounting Snarling Engraving Pressing into Foil Soldering Hard Solder Soft Solder Annealing Copper Brass Steel Aluminum Etching Steel Copper Brass Aluminum; Pewter; Zinc EXAMPLES: Surface Texture Vessels Candleholder Candleholder Flamingo Napkin Rings Coasters Ceiling Light Fixture Bracelets Lettering Plaque Head of Christ Wall Decoration Reliefs for Doors Forming with Air Tools Relief for a Youth Hostel Memorials A Village Fountain Flamingos as Fountain Decoration Formed Portraits Surface Treatment Applying Chemical Coloring (Patina) to Copper and Brass Green Patina Brown Patina Black Patina on Brass Black Patina on Aluminum Copper Plating of Steel Disposal of Waste Tinning Gilding Polishing Waxing and Varnishing Enameling Restoration using Antique Styles Architectural Art

Repousse; chasing; chiseling metal work

Publisher Blue Moon Press. 2001. 131 pages

Repousse; chasing; chiseling metal work

Publisher Lindsay Publications Inc. 1999.

A reference book illustrating and describing practical applications of the principles used in the design of punches and dies. Contents include: Types of Presses and Their Selection (Foot presses; Bench presses; Inclinable presses; Open-back gap presses; and many more); Stamping and Forming Mild Steels; Stamping and Forming Nonferrous Metals; Pressworking Nonmetallic Materials; Blanking and Cutting Dies; Bending; Forming; Embossing; and Folding; Coining; Swaging; Cold Sizing; and Extruding; Drawing Dies; and much more. Many illustrations.

Tool making and equipment building

Publisher Lindsay Publications. 1995. 443 pages

Original copyright date - 1902 "In writing this book the author has done so with the purpose of giving to practical men a book which would treat these pre-eminent factors in modern manufacturing - Dies - as they should be treated; and that is; from the viewpoint of a practical man. In the pages are shown engravings of dies; press fixtures and sheet-metal working devices; from the simplest to the most intricate in modern use; and the author has endeavored to describe their construction and use in a clear; practical manner; so that all grades of metal working mechanics will be able to understand thoroughly how to design; construct and use them; for the production of the marvelous variety of sheet metal articles and parts which are now in general use; and form an integral part of our twentieth century civilization."

Tool making and equipment building

Publisher Lindsay Publications; Incorporated. 1985.

In a few short years; this has become the established reference for tool makers; heat treaters; and engineers seeking step-by-step "recipes" for properly heat treating a wide range of tool steels; plus practical information about machinability; shock resistance; wear; and extending tool life. Now the completely revised and expanded second edition is available. It has been extensively updated and includes the following significant new additions: an entirely new chapter on the popular powdered tool steel CPM 10V; a new section on carburizing thoroughly describes the process and its benefits; the section on cryogenics treatment has been completely rewritten to describe the theory and process; and a comprehensive glossary of related terms has been added. As in the first edition; valuable tables of properties; attributed; qualities; and shortcomings of popular tool steels are also included.

Tool making and equipment building

Publisher Hanser Gardner Publications. 1997. 198 pages

Reprint of the 1907 original. The scope of this book embraces practically the whole art of working metals with hand tools and with such simple machine tools as the small engineering shop usually contains. The tool outfit of the average metalworker does not generally include anything more ambitious than a lathe with or without slide-rest; overhead motion; etc. and it is with this limitation in mind that the whole of the contents of this book have been prepared. Even withing such limits; the scope is extensive; and has been made to include a large and pleasing variety of work. Nearly every aspect of metalworking of every sort is covered in great detail in this comprehensive reference; as are the tools used in those trades. A wide range of subjects are brought more clearly into focus thanks to Hasluck's well written explication and a series of period line drawings. See "Notes" below for contents description.

Contents include: Foundry work; Smiths' work; Surfacing metals; Polishing Metals: The machines and processes; Annealing; hardening; and tempering; Drilling and boring; Taps; screw-plates; and dies; Soldering; brazing and riveting; Forging iron and steel; Working sheet metal; Repousse' work; Oriental decorative brasswork; Finishing; lacquering; and colouring brass; Lathes and lathework; Spinning metals on the lathe; Tools for measuring and testing metalwork; and lots more. Many illustrations.

Metal working; Metal-work - History; Tool making and equipment building; Tools - history

Publisher Lindsay Publications Inc. 1994.

The design; building notes and operating suggestions are the result of a number of years of research and practical use by the author. I have found the machine easy and safe to use and it has provided me much pleasure and personal satisfaction. It will roll out round bar steel into whatever thickness you require for knives or tools. If the steel is tapered; like old car axle stock; the resulting flat bar will also be tapered like a sword. Hexagon or octagon tool steel such as in old crowbars rolls out into the sort of strip you would buy from a steel merchant; only cheaper. The heaviest I have rolled so far was from a crowbar 1- 1/4" thick. It took several heats to get it down to 1/4" thick and had to be cut in half when it got too long to handle. Complete and specific illustrations with notes of explanation. Click on link to read review by Jock Dempsey

Tool making and equipment building

Publisher .

The last half of the 19th century marked a huge transition in the manufacture of wheels-from individual wheelwrighting to industrial wheelmaking. This book is a compilation of articles on wheelmaking taken from late 19th century journals published in America for the carriage industry. The articles are divided into ten sections: the first is a long overview of wheelmaking technologies of the time; followed by sections on the dishing of wheels; hubs; spokes; felloes and rims; tires; rubber tires; patent wheels; and wheel repair. Taken together; they give the reader a full understanding of the fast-moving changes that were taking place in the wheelmaking industry. This is a fascinating book; full of detailed information valuable both to the general reader and to the practicing wheelwright.

Wagons - Wheels; Wheels - Design and construction

Publisher Astragal Pr. 1996. 248 pages

Armor - History

Publisher Magna Bks. 1990. 64 pages

The mills at Wicksbridge are imaginary; but their planning; construction; and operation are quite typical of mills developed in New England throughout the nineteenth century. Please click on the Amazon link to read more reviews of this book. It is highly rated by its readers.

Juvenile literature; Mills

Publisher Sandpiper. 1989. 128 pages

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Vol II; No. 1: Topic - Period Vocabulary; Motif - Split Pickets; Tooling - Bar Twister; Architectural Iron: Rails; Gallery - Leaf Work Vol II; No. 2: Topic - Floral Forms & Leaf Work; Motif - Buds & Acorns; Tooling - Butchers & Schneckers; Architectural Iron - Rails #4 of 4; Gallery - Leaf Work Vol II; No. 3: Topic - Architects & Interior Designers; Motif - Stake Chased Leaf; Tooling - Ball Tools; Architectural Iron - Locks; Latches & Bolts; Gallery - Floral & Locks Vol II; No. 4: Topic - Forge and Form for Strength & Design; Motifs - Flower from 1" Square Bar; Tooling - Ball Making Tools Part 2; Architectural Iron - Locks & Latches Part 2; Gallery - Locks; Latches; Leaves and a Light Vol III; No. 1: Topic - One Process; Many Applications Part 1; Project - Leaf Door Knocker; Tooling - Historic Artist-Blacksmith Tool Styles; Architectural Iron - Locks & Latches Part 3; Gallery - Latches; Locks and & a "F" Vol III; No. 2: Topic - One Process; Many Applications Part 2; Motif - Feet; Birds to Dogs to Dragons Part 1; Tooling - Historic Artist-Blacksmith Tool Styles; Special Floral Issue - Trillium Forged; Chiseled and Chased; Gallery - Repousse' Vol III; No. 3: Topic - Mechanical Joinery; Motif - Feet; Birds to Dogs to Dragons Part 2; Tooling - Historic Artist-Blacksmith Tool Styles; Architectural Iron - Locks & Latches Part 4; Gallery - Locks Vol III; No. 4: Topic - One Process; Many Applications Part 3; Motif - Dogwood; Tooling - Historic Artist-Blacksmith Tool Styles; Architectural Iron - Locks & Latches Part 5; Gallery - European Iron

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher NorDix Press.

8X10 Hardcover edition originally published in Germany 1995. This book covers the art of metal working (Chasing and Repousse') and a little on the history. Many illustrations. Adolf Steines belongs in the highest echelon of German master metal smiths. He was born into a metal working family in Trier; Germany in 1935. At 20 he earned the diploma of Master Blacksmith. He continued his studies in Venice; Italy and also studied design and architecture at the Academy of Arts in Stuttgart; Germany. At 28 he opened his own metal studio in Bekond; Germany; where he created contemporary and traditional works in iron and bronze. Perhaps the most famous among these is the portal to the Royal Palace in Saudi Arabia. His book; Metall-Treiben; now in its 4th edition; has been translated into English under the title Moving Metal. Here he presents many beautiful examples of his art including techniques; tools; and materials in clear detail; which a novice can understand and follow. There is; however; a wealth of information on refined techniques and tricks of the trade; born out of decades of experience; which will surprise and stimulate even the expert. Methodically laid out; the text gives in detail all the instructions essential for the artist of repoussé; whether blacksmith; jeweler; silversmith; or sculptor. Profusely illustrated; this work covers design and design transfer; chasing; repoussé; sinking; raising; and surface treatment in great detail. The book thoroughly addresses the workroom; tools; materials; working surfaces (including carpeting and pitches); transfer of designs; sinking; raising; stamping; chasing; repousse' engraving; soldering; etching; as well as the coloring and protection of metal surfaces. Numerous examples of the author's works are illustrated including large scale doors; fountains; memorials; wall sculptures and portraits; as well as many delicate jewelry pieces. A number of tricks and special techniques are described; such as using air powered hammers for forming and chasing. Profusely illustrated with very clear drawings and quality photographs of objects and procedures; this book is essential for the library of every serious artist working with metal. See "Notes" below for Table of Contents.

TABLE OF CONTENTS Translator's Note History of Repousse' What is Repousse' Materials Gold Silver Copper Brass Other Copper Alloys Aluminum Tin Zinc Steel and Stainless Sheet Metal The Workshop Tools Hammers; Punches; and Anvil Support Materials - Carpet; Pitch; Lead; Plasticine Design and Execution Design Transfer Working Techniques Sinking Raising Punch Work Chasing Pitch mounting Snarling Engraving Pressing into Foil Soldering Hard Solder Soft Solder Annealing Copper Brass Steel Aluminum Etching Steel Copper Brass Aluminum; Pewter; Zinc EXAMPLES: Surface Texture Vessels Candleholder Candleholder Flamingo Napkin Rings Coasters Ceiling Light Fixture Bracelets Lettering Plaque Head of Christ Wall Decoration Reliefs for Doors Forming with Air Tools Relief for a Youth Hostel Memorials A Village Fountain Flamingos as Fountain Decoration Formed Portraits Surface Treatment Applying Chemical Coloring (Patina) to Copper and Brass Green Patina Brown Patina Black Patina on Brass Black Patina on Aluminum Copper Plating of Steel Disposal of Waste Tinning Gilding Polishing Waxing and Varnishing Enameling Restoration using Antique Styles Architectural Art

Repousse; chasing; chiseling metal work

Publisher Blue Moon Press. 2001. 131 pages

All those concerned with goldsmithing; silversmithing; rare metal objects or metal scientific instruments; or their repair or restoration; will be delighted to find this bible of their craft available again in a new edition. Over 360 figures and photographs amplify the discussion of tools; materials and construction. Tables and standards useful to the craftsman (melting points and weights of metals; for example) are included. Notes to the photographic plates describe the objects in detail - magnificent examples of craftsmanship throughout the ages.

Art metal-work; Enamel and enameling; Goldwork; Silverwork

Publisher Dover Publications. 1971. 335 pages

Garden favorites rendered in black-and-white line illustrations will suggest numerous design and artistic uses to artists; designers; craftsmen; needleworkers. Amaryllis; anemone; begonia; cinquefoil; peony; snapdragon flow and weave; many forming borders and frames. All drawings copyright-free.

Decoration and ornament - Plant forms

Publisher Dover Publications. 1981. 80 pages

This is a book that presents the basics of style particularly adapted for the artist-blacksmith. From the author: "This teaching of style should be easy to understand; and is presented without any material not relevant to the smith. It would be considered a success if it enabled the young smith to identify the period of a style with confidence; to copy an object with the particular characteristics of a style; and to know the conditions and requirements of a stylistically correct design." Translated from German with many illustrations.

Architectural ironwork; Art metal-work; Blacksmithing - pictorial/inspirational; Blacksmithing training and techniques; Design; Repousse; chasing; chiseling metal work

Publisher Robert Ruhloff. 2002. 144 pages

Industrial trade literature - the catlaogues; brochures; bulletins and fliers issued by manufacturers - can be an extremely useful resource for both historians and craftsmen. Often such publications contain valuable bits of company and local history; while revealing stages in the development of mechanical designs. Product lines are exhaustively and often beautifully illustrated. The information found in trade literature is especially helpful to craftsmen who restore; contemplate and use machines from times past. Since some background information is extremely helpful in appreciating trade literature; each item is preceded by a brief introduction. Another of the pleasures of old trade catalogues are the fascinating original prices. To make these figures more meaningful; the introductions include a conversion factor (based on the historical Consumer Price Indexes) to render the original prices in today's dollars. In some cases the results seem surprisingly correct; in other cases; we marvel at the considerable investment represented by these tools in their days.

Tools - Catalogs; Tools - History - Sources

Publisher Mingus Mountain Machine Works. 2001. 288 pages

Between approximately 1800 and 1860 Mousehole Forge of Sheffield; England was the premier anvil maker of the world. Even after about 1860 when other English anvil makers; such as Joshua Wilkinson & Sons as well as numerous others were producing anvils by more modern methods and machinery; still Mousehole Forge retained a major share of the market; especially in America; continuing right into the 20th century. By that time there were only three manufacturers shipping anvils to the U.S. As far as I can tell Mousehole Forge outlasted every other anvil maker in England except Peter Wright & Sons. How could a small manufacturer restricted to about an acre of land with a forge shop having just 9;000 square feet; using primarily water power to drive their antiquated helve hammers and other equipment; compete so successfully? This is the story of this small company and their anvils.

Anvils - History; Forge shops - History; Forging - History

Publisher Postma Pub. 2003. 110 pages

Architectural ironwork; Blacksmithing - pictorial/inspirational; Blacksmithing training and techniques

Publisher Crowood Press. 2001. 160 pages

Here is the first book that focuses on unique custom-made fireplace accessories as works of art by talented modern artist blacksmiths. Over 400 ideas for unusual fireplace designs reflect historical styles from Renaissance to Post-Modern. You will be amazed at the infinite effects that can be wrought from a bar of metal between the hammers and anvils of more than 100 master artist blacksmiths from nine countries. You'll learn to appreciate the forms that are used; from scrolls to carved animals; and to recognize their texturing; unusual handles and hinges; supports; and more. Fire screens; hoods; doors; andirons; grates; tongs; pokers; shovels; brooms; and their stands emerge as significant decorative items in today's homes. This is also a wonderful sourcebook for homeowners and designers seeking original art for their homes. You will marvel at the artistry; variety; and craftsmanship.

Includes index.

Fireplaces; Interior decoration; Metal-work

Publisher Schiffer Publishing. 2002. 256 pages

Acclaim for ' Italian Wrought Iron Beds and Bedroom Accessories': "A collection like no other. It will undoubtedly serve as an inspiration to virtually any blacksmith. This volume brings to light furnishing objects produced with perfect techniques and refined and elegant designs; which leads us to think that the art of wrought iron is even more alive than before." - The Anvil's Ring. "A wonderful source of ideas for designer; decorator and smith.It was very difficult to select the images for this review. All the work is beautiful and it is impossible to decide what is best". - AnvilFire Assembled by Giuseppe Ciscato; known to Mediterranean artisans as "the chronicler of Italian masters of wrought iron;" this is a detailed and passionate survey dedicated to the theme of wrought iron beds and bedroom furnishings. Not content to offer a panoramic overview of handcrafted Italian wrought iron beds; Ciscato has a compiled a veritable treasure-trove of hundreds of photos of functional and beautiful bedroom accessories. From the simple and elegant to the fabulously ornate; these items are featured in no other book -- not even the author's comprehensive; highly esteemed 'Italian Masters of Wrought Iron (I Maestri Italiani del Ferro battuto)'! A stunning array of lamps; chairs; mirrors; bedstands; footstools; coat racks; and curtain rods adorn these pages; as well as adventurous and highly skilled forays into sometimes quite colorful metal sculpture. Undoubtedly they will serve as an inspiration to virtually any blacksmith.

Bedroom furniture - History - Catalogs; Beds - History - Catalogs; Wrought-iron furniture - History - Catalogs

Publisher Alinea Editrice. 2000. 229 pages

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Color on Metal presents the work and words of metal artists in love with color. In the past several years; jewelry and decorative metal objects have become emancipated from the traditional reliance on silver and gold. Not only are copper and brass now fair game for serious designers; but the beautiful rich colors of enamels and patinas; as well as recent technologies like electroplating and anodizing; have become increasingly popular.

An introductory chapter explains the different ways that metal can be colored. Four sections of striking full-color images illustrate the rich diversity of color as it is seen in contemporary work: patinas; enamels; applied color and avant-garde. For each of 50 pieces; the artists describe their personal approaches to color and process; offering insight into the creative mind.

* Stunning examples of work by top jewelers and metal artists
* Explains the techniques used; with text that is enlightening but not overly technical
* A must-have volume for artists and collectors

Includes index.

Art metal-work - History - Catalogs; Art metal-work - Technique; Polychromy - Catalogs

Publisher Guild Publishing. 2001. 126 pages

Gas Burners for Forges; Furnaces; & Kilns is a do-it-yourselfers dream book; showing beginners how to make highly efficient gas burners inexpensively. These burners use simple gas accelerators as their central operating principle. All that is needed is a $2 MIG tip and some plumbing parts. This eliminates the need for a blower to supply combustion air; allowing the burners to be built in any size. Burners are featured; which are small enough to be used for a jewelry torch or large enough to heat any ceramic kiln. Because these burners are both powerful and portable; they can be combined with low cost space age insulating materials and common containers to build light compact heating equipment. Also described is a blacksmith's forge that can be carried anywhere and stored under a workbench; a portable metal melting furnace; a portable farrier's forge; a portable glass furnace/glory hole; and a mobile hot-work station that aids in combining several crafts. The burners and equipment provide an inexpensive way to get started in blacksmithing; foundry work; ceramics; or glasswork. General information and specific designs are given; enabling the craftsperson to build equipment tailored to their own desires.

Gas-burners; Tool making and equipment building

Publisher Skipjack Press; Inc. 2004. 216 pages

Metallurgy is a highly specialised subject; introduction to which is confined to fearsome looking volumes full of technical data shrouded in the mystique of the professional; so making them intelligible only to the professional. It is hoped that this book; which has been compiled for the guidance of the small users; will disperse some of the mystery that has in the past been responsible for 'blinding them with science'; and whet their appetites for a greater understanding of the structure and properties of those materials that they are so adept at shaping; whether it be on the hearth or on a machine; but from which; and by their skill; they earn their daily bread; and contribute to the needs of the nation.

Metallurgy

Publisher Countryside Agency. 1979. 82 pages

Well over a thousand years old; the tradition of swordmaking in Japan is one of the most highly regarded metal crafts in the world. When all sword manufacture was prohibited in Japan for seven years after World War II; the age-old techniques were in danger of being lost forever. Today; in the hands of a new generation of practitioners; the craft is making a startling comeback. Connoisseurs say that the swords being produced now are the equal of anything made in Japan in the past few hundred years.

This book takes the reader into the workshops of four of Japan's leading sword craftsmen. Each craftsman has a different role in the manufacture of a blade. Yoshindo Yoshihara; the swordsmith; begins with raw steel made in a traditional charcoal-fueled smelter and refines it by folding and forging; gradually shaping it into a sword with a hardened edge. Okisato Fujishiro then sharpens and polishes the sword with fine stones to reveal the color and texture of the steel. Metalworker Hiroshi Miyajima makes the small copper-and-gold habaki collar that fits between the blade and the scabbard. Finally; Kazuyuki Takayama carves the hilt and the scabbard out of a single piece of wood. Black-and-white photographs show every stage of the manufacture; while important information on history; metallurgy; and modern-day appraisal is presented in an extensive introduction.

The swords made in Japan today are not; of course; intended for actual use. But their design; the quality of their steel; and the techniques used to create them still derive from the sword's historical function as a lethal hand-held weapon. A sword must be razor sharp; light; well balanced; and strong; but not so brittle it will break. In the perfect resolution of these qualities lie the beauty of the blade and the challenge of the craft.

This book demonstrates how brilliantly Japan's sword craftsmen today have met this technological challenge. The impulse of the craft now is to preserve the utilitarian object and yet create an enduring art for the modern age. While many fine books on sword appreciation exist; these deal primarily with older blades or problems of appraisal. The Craft of the Japanese Sword is the first book in English devoted entirely to contemporary sword manufacture; and will thus be of enormous value to metal artists everywhere; as well as to collectors and students of weaponry.

Includes index.

Swords

Publisher Kodansha International. 1987. 168 pages

Virtually every task beginning and intermediate blacksmiths must master is presented in this excellent book. Over 400 detailed drawings help increase comprehension levels. This is a reference manual that will be found lying open on the workbench more often than found on the bookshelf and is highly recommended to anyone swinging a hammer to shape hot metal. This is an excellent introduction to this glorious craft and an excellent resource for advancing your knowledge; skills; and vision for blacksmithing.

Blacksmithing projects; Blacksmithing training and techniques

Publisher Dragonfly Enterprises. 2004. 174 pages

Just an Idea is a collection of ideas from all kinds of sources: from books from the last centruy; from talking to old blacksmiths who remember when times were different; from talking to younger blacksmiths; and from myself; brought about through necessity for a particular job. As long as there are blacksmiths discovering new techniques in ironwork; this kind of book will never be finished. And that's just a thought. L.H. Stanley This book is filled with little tips in written format. Some examples are: "If you sand off the finish of your wooden handles; the grip improves." "To get the most out of hot rasping; use a farrier's hoof rasp that is worn a bit." "Bending wrenches are more useful if the ends of the fork are pointed."

Blacksmithing; Blacksmithing training and techniques

Publisher . 1944. 100 pages

A journey through Italian blacksmithing art... This exploration has a precise aim: contributing to the knowledge and diffusion of Italian blacksmithing art. It is aimed at whoever is interested in knowing and divulging the art of blacksmithing; and wants to know where Italian blacksmiths live and what they produce. This book leads you in a wonderful journey through Italian villages; towns; city outskirts and finds the magic of wrought iron. Hundreds of color photos with Italian and English captions.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher Alinea Edit. 2003. 352 pages

Design and construction details for permanent and portable forges along with blowers; airgates; and other useful information. Included forge designs: Robert Bourdon's Brick; Dimitri Gerakaris Concrete; Jerry Hoffmann's Fabricated; The Concrete Forge from Irony; Mother Earth News Masonry; Irony Steel Wall Mount; Portable Forge; Tai Goo's Washtub Forge; Water Tuyere & Stone Forge. Accessories: Bob Patrick's Steel Firepot; Side Draft Shelf-less Flues; Stack Construction; Draft Hood; Industrial Strength Airgate. Information: Notes on building the fire; Burning Coke; Charcoal; Grounding; Resources; Blower Speed Controls; The Thinker by Berton Braely.

Tool making and equipment building

Publisher ABANA. 2003. 41 pages

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

A Heritage in Iron; by Rafael Routson 11 ¾ x 9 ½ inches; 216 pages; over 200 full-color and historical photos; cloth-bound hardcover with dust jacket. $55 (including tax and shipping) ISBN 0-9758812-0-5 Blacksmiths; mountain cowboys; timber frame artisans; and classic American craftsmanship are celebrated through the pages of A Heritage in Iron; the handsome new book featuring two ranches in southwest Colorado. With the goal of preserving the heritage of the Old West; the Centennial and Last Dollar Ranches; featured in the June 2004 issue of Architectural Digest; have been carefully restored and protected with conservation easements. These ranches will forever be devoted to traditional cattle ranching while providing open space and wildlife habitat. A Heritage In Iron documents the history of the two ranches; the restoration projects; the blacksmith work; and the individuals who forged the hinges; latches; and other ironwork installed on the ranches. Generously illustrated; the collection includes historical sepia-toned and full-color contemporary photographs; along with an assortment of the images ghosted behind the text. Meticulous mechanical drawings and graceful pencil sketches show the work that went into planning and designing the authentic barns; out buildings; and hardware of the two ranches including Dashwood House; the ranch headquarters. Author Rafael Routson speaks of these mountainous ranches and the people who call them home with the informed language of one who knows first-hand the rewards of working with the land.

Architectural ironwork; Architectural ironwork - History; Blacksmithing - pictorial/inspirational; Blacksmiths - Interviews

Publisher Double Shoe Publishing Company. 2004. 216 pages

Blacksmithing: Illustrated and Explained; complete with 'Process & Patterns' A quarterly publication with abundant black and white drawings and photos. Contact the RMS librarian for topics covered in this volume

Blacksmithing projects; Blacksmithing training and techniques

Publisher NorDix Press. 2005.

Drawings originally published in Blacksmith's journal between 1990 and 2000.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques; Engineering graphics

Publisher Hoffmann Publications Inc. 2005. 182 pages

101 Beginner projects ranging from a coal rake; to a copper rose; to a spring fuller. Step-by-step instructions with black and white illustrations. Please contact the RMS librarian for more details on the projects in this book.

Blacksmithing projects

Publisher Poor Boy Blacksmith Tools. 2005. 128 pages

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

Blacksmithing: Illustrated and Explained; complete with 'Process & Patterns' A quarterly publication with abundant black and white drawings and photos. Contact the RMS librarian for topics covered in this volume

Blacksmithing projects; Blacksmithing training and techniques

Publisher NorDix Press. 2005.

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

The Backyard Blacksmith takes the mystery out of blacksmithing; but not the magic...

There is an increasing interest and revival in the art of blacksmithing as a hobby and art; and both men and women are becoming at-home blacksmiths. Blacksmithing is a simple; rewarding craft anyone can enjoy in their backyard or home workshop -- even beginners can produce useful and beautiful projects on their first try.

The Backyard Blacksmith shows you how -- with some patience and a working knowledge of metals; basic tools; and techniques -- blacksmithing can be easy to learn; and a rewarding hobby. Through instructions and illustrations; readers will learn to make simple tools and useful items; such as nails; hinges; and handles; and also an interesting mix of artful projects; such letter openers; door knockers and botanical ornaments.

• Detailed step-by-step full color exercises teach all the universal skills and techniques used to forge iron; it's like having a master blacksmith by your side
• Provides the reader with an understanding of the properties and characteristics of forging hot metal; making the craft accessible to those without previous experience
• Over 20 beautiful and function projects organized by difficulty level allow new blacksmiths to progress at their own pace and master the skills they learned in earlier chapters

Blacksmithing - Amateurs' manuals

Publisher Quarry Books. 2006. 184 pages

A handsomely illustrated guide to forged architectural ironwork and the craft of the artist blacksmith.

At one time; almost every town and village had a blacksmith. There are fewer smiths today; but despite the public perception that blacksmithing belongs to a bygone era; the craft is thriving. Architectural ironwork demands a wide spectrum of skills; from making a finely detailed drawing to forging heavy; red-hot metal bars. A good gate; grille; or balustrade looks so self-evidently right in its setting that its origin seems almost beyond question; but a blacksmith had to measure; design; forge; assemble; finish; and fit it in place. Written by a leading artist blacksmith; and illustrated with nearly 250 photos and drawings; Forged Architectural Metalwork looks at design; construction; finishing; and installation; as well as the skills required of smithworkers in the architectural field today. Chapters: 1 - Working and Workshop 2 - Basic Forging Processes 3 - Assembly Technique 4 - Surveying the Site 5 - Design and Regulations 6 - Handrails 7 - Balustrades 8 - Railings and Fences 9 - Screens and Grilles 10 - Gates 11 - Materials and Finishes 12 - Installation

Architectural ironwork; Ironwork

Publisher Crowood Press. 2006. 176 pages

By Dixon There are many books covering the basic blacksmithing processes and many showing finished articles; but Francis Whitaker's "The Blacksmith Cookbook" especially details the joinery techniques that he used; demonstrated and taught. He learned these in his early training in the shops of Samuel Yellin (1923-24) and Julius Scramm (1924-25) and then added to and refined these techniques during his lifetime in the forge. He was still learning new way and adding new tricks to his repertory in his final years. His valuable little book provided blacksmiths with a singe resource for diverse information that was otherwise available only from a wide variety of sources. As wonderful as the original book was; it had several shortcomings. Some parts were presented in logical order but others were not and rough notes from conferences and workshops were also included. This resulted in much duplication with ideas in random order. There was a Table of Contents but the lack of an Index was a great inconvenience. This revision and expansion by George Dixon takes care of the inconveniences of the original text and makes learning the difficult techniques easier and finding answers much quicker. George is an excellent blacksmith; illustrator; writer and teacher and has done a fine job of presenting the material. Francis would be happy with this book. Contents: Chapter 1: The Blacksmith's Shop Chapter 2: Blacksmithing Processes Chapter 3: Making Hammers; Tongs & Tools Chapter 4: Joinery Chapter 5: Forging Blanks & Balls Chapter 6: The Twisted Bar Chapter 7: Scrolls Chapter 8: Quatrefoils Chapter 9: Animal Heads Chapter 10: Mechanics of Basic Design & Drawing Chapter 11: Surface textures; Finishes & Finishing Index 145 pages; over 750 illustrations. Hardcover.

Blacksmithing projects; Blacksmithing training and techniques

Publisher Blue Moon Press. 2005. 145 pages

Here is an exciting foray into the world of the artist-blacksmith. Dona Z. Meilach discovers the growing numbers of men and women who revel in lighting up a forge and shaping hot; malleable iron into beautiful; useful objects. Blacksmiths today make both monumental and modest architectural accompaniments; from public art to an infinite number of items we encounter every day. With this book; you will gain an appreciation of the medium and its creators; and realize that blacksmiths do much more than shoe horses. Over 480 color photographs highlight objects for indoor and outdoor use; including fences; railings; gates; doors; sculpture; furniture; lighting fixtures; candleholders; and more. Some are truly modern in style while others are inspired by historical references; such as Art Nouveau; Art Deco; Craftsman; and Victorian styles. Todays blacksmiths; designers; artists; and homeowners will find unparalleded inspiration for creating unique yet practical surroundings.

Blacksmithing - pictorial/inspirational; Ironwork - History; Ironwork - Pictorial works

Publisher Schiffer Publishing. 2006. 256 pages

From the heady days at Coalbrookdale on the banks of the Severn to the decline of a once-mighty industry; Richard Hayman tells the story of iron and its effects on Britain and the world.

Blacksmithing - History

Publisher Tempus. 2005. 160 pages

From Artisan Ideas: "Mastering the Fundamentals of Blacksmithing' is an expanded collection of course text from the author's own blacksmith school. This book represents 120 hours of student learning in a project based home workshop environment. The author leads the student from the basic tenets of blacksmithing through to more complex projects step-by-step. An emphasis is placed on guiding the smith through making; heat treating and using his/her own tools throughout the book. Each project builds upon the last. The book starts with the laws and principles of blacksmithing and has a good section on working safely within the smithy." This is a large (8 1/2" x 11") hardcover book of 304 pages with 1200 photos! This is the first volume of 4 planned instructional text books from the author.

Blacksmithing projects; Blacksmithing training and techniques

Publisher Mark Aspery. 2007. 304 pages

Here is an exceptional insight into the unique ironwork created by todays artist-blacksmiths. Over 250 color photographs display details of contemporary iron objects; including flowers; grape clusters; leaves; small and large animals that attest to the blacksmiths role as a sculptor. There are amazing scrolls; folds; twists; textures; and weaves not normally associated with the hard material. With heat; hammer; talent; and muscle; the modern artist-blacksmith is forging exciting forms that permeate our surroundings. The casual viewer may often overlook details of small elements used to create a magnificent whole. Dona Z. Meilach shows how focusing on the iron details of flowers; leaves; and amazing critters makes ordinary fences; gates; and chandeliers extraordinary. Functional joints become beautiful elements for furniture; fireplace accessories; candlestick holders; and other iron items we use daily. Donas approach will open ones eyes to see and respect this burgeoning art form. This stimulating book is a must for metalworkers; designers; artists; gallery owners; art lovers; and museum directors.

Includes index.

Ironwork - Pictorial works

Publisher Schiffer Publishing. 2007. 159 pages

From introduction by Jerry Henderson: Repousse' means to repeal in French; the craftsmen that did repousse' work were called embossers. There are two methods of embossing; one is cushion; the other is support. The support method is sometimes called stake repousse. The skill of the embosser is to put the hammer blows in an overlapping pattern so as to make a perfect line or pattern. This book documents Nahum Hersom's workshop and parts of his handwritten workbook. The value of this book is to give the blacksmith and other metalworkers a foundation to do detail and definition work; specifically ornamental metal. The German method of embossing is what Nahum Hersom teaches; he learned his craft from Mr. Valatine Goelz. The tools in this book are more general; the techniques are more specific. Chapter 1: Repousse' Tools; Wooden Tools; Stakes; Undertools; Support Tools. Chapter 2: Repousse' Techniques and Terms Chapter 3: Projects

Blacksmithing projects; Blacksmithing training and techniques; Repousse; chasing; chiseling metal work

Publisher Golden Pheasant Art-Metal. 2006. 62 pages

A Monthly Journal of Illustrated Techniques View contents of these issues by going to the "Online Index" link on this page.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher Jerry Hoffmann.

This book is a black and white photo collection of French ironwork. All captions are in French.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher Charles Massin. 2000. 78 pages

Both of Mark's books are designed to lead the blacksmith along a set course of technique and understanding. This second book of his is an excellent project book; full of step by step details; using both high quality photos and text. Mark starts by teaching the reader how to make the tools needed to forge many types of leaves and other organic forms. Featured tools include spring fullers; a right angle chisel; and various stakes and hammers. Some of the projects are Ginkgo leaves; Water leaves; Calla Lilies; Chili Peppers; Bamboo; Acanthus leaves; a stylized fern leaf and much more. For each project; Mark clearly defines the techniques involved; the tools and stock required; and the benchmarks for success. Mark is a very popular demonstrator and teacher because of his close attention to detail; his newest book is true to form.

Blacksmithing projects; Blacksmithing training and techniques

Publisher Mark Aspery. 2009. 300 pages

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2010.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2007.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2009.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2011.

Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

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Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher . 2013. Brauer, James pages

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher . 2013. Mark Aspery pages

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher . 2014. Randy McDaniel pages

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 1999.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2000.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2002.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2003.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2004.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2005.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2006.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2008.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2013.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2013.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2014.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2015.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2016.

Architectural ironwork; Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2017.

Blacksmithing; Blacksmithing projects; Blacksmithing training and techniques

Publisher . 2016.

Blacksmithing - pictorial/inspirational; Ironwork - Pictorial works

Publisher . 2017.

DVD, Conference

Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1990.

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Publisher RMS. 1992.

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Publisher RMS. 1992.

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Publisher RMS. 1992.

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Publisher RMS. 1992.

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Publisher RMS. 1992.

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Publisher RMS. 1992.

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Publisher RMS. 1993.

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